Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bind 5–9Indiana University Press, 1983 |
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Side 45
... important issue ( " Eisenstein's place in a general theory of cinema " ) will still remain unbroached at the end of this book . There cannot be the slightest doubt that although the ( ? ) Eisensteinian theory is a very powerful and ...
... important issue ( " Eisenstein's place in a general theory of cinema " ) will still remain unbroached at the end of this book . There cannot be the slightest doubt that although the ( ? ) Eisensteinian theory is a very powerful and ...
Side 116
... importance to emphasize clearly the way the principle of montage takes specific form by playing on both terms of the ... important in order to combat an image of Eisenstein which would tend to freeze him in that antonymy , to consider ...
... importance to emphasize clearly the way the principle of montage takes specific form by playing on both terms of the ... important in order to combat an image of Eisenstein which would tend to freeze him in that antonymy , to consider ...
Side 5
... important changes in the seventies , not only in film but in literature and the other arts as well . " New Subjectivity " or " New Sensitivity " are the terms used in the Federal Republic to describe this recent emphasis on the personal ...
... important changes in the seventies , not only in film but in literature and the other arts as well . " New Subjectivity " or " New Sensitivity " are the terms used in the Federal Republic to describe this recent emphasis on the personal ...
Indhold
Monster Events | 5 |
Roegs Bad Timing | 21 |
Eisensteinian Concepts | 41 |
Copyright | |
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Achternbusch Alexander Kluge Anastasia avant-garde become body Buenos Aires Cahiers du cinéma camera character cinema concept context contradiction critical critique cultural cybernetic cyborg desire dialectical diegesis diegetic discourse documentary dominant effect Eisenstein Eisensteinian enunciation essay example Fassbinder Fassbinder's female feminism feminist fiction figure film theory film's filmic filmmakers fragment frame function gaze German Germany in Autumn Godard Helke Sander Herbert Achternbusch human identity ideological imaginary India Cabaret Ivan Kaja Silverman Kluge Lacan language Laura Mulvey Lili Marleen look male meaning metaphor mode montage movement narrative narrator notion nuclear Oedipal opposition political position postmodern precisely present produce question relation relationship representation represented Sander scene sense sequence sexual difference shot signifier social space speak spectator speech story structure Subjective Factor symbolic tango theoretical tion tive traditional trans viewer visual voice whole woman women word writing