Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bind 5–9Indiana University Press, 1983 |
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Side 52
... idea of a cut , adding to it the idea that something has been removed , amputated 14 ) . Despite their undeniably illogical nature , these associations seem to me quite symptomatic of the importance , in the definition of the fragment ...
... idea of a cut , adding to it the idea that something has been removed , amputated 14 ) . Despite their undeniably illogical nature , these associations seem to me quite symptomatic of the importance , in the definition of the fragment ...
Side 66
... idea of " intellectual montage , " or , for example , certain theses on color put forward in 1946 , which especially stress the " autonomisable " aspect of the attraction30 ) . But above all , despite all the apparent abruptness and ...
... idea of " intellectual montage , " or , for example , certain theses on color put forward in 1946 , which especially stress the " autonomisable " aspect of the attraction30 ) . But above all , despite all the apparent abruptness and ...
Side 76
... idea . Erwin Schrödinger , in 1943 , when he lectured on the reada- bility of the genetic code , introduced the idea of a hieroglyphic writing to describe how the complete potential of the future development of the organism is contained ...
... idea . Erwin Schrödinger , in 1943 , when he lectured on the reada- bility of the genetic code , introduced the idea of a hieroglyphic writing to describe how the complete potential of the future development of the organism is contained ...
Indhold
Monster Events | 5 |
Roegs Bad Timing | 21 |
Eisensteinian Concepts | 41 |
Copyright | |
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Achternbusch Alexander Kluge Anastasia avant-garde become body Buenos Aires Cahiers du cinéma camera character cinema concept context contradiction critical critique cultural cybernetic cyborg desire dialectical diegesis diegetic discourse documentary dominant effect Eisenstein Eisensteinian enunciation essay example Fassbinder Fassbinder's female feminism feminist fiction figure film theory film's filmic filmmakers fragment frame function gaze German Germany in Autumn Godard Helke Sander Herbert Achternbusch human identity ideological imaginary India Cabaret Ivan Kaja Silverman Kluge Lacan language Laura Mulvey Lili Marleen look male meaning metaphor mode montage movement narrative narrator notion nuclear Oedipal opposition political position postmodern precisely present produce question relation relationship representation represented Sander scene sense sequence sexual difference shot signifier social space speak spectator speech story structure Subjective Factor symbolic tango theoretical tion tive traditional trans viewer visual voice whole woman women word writing