Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bind 5–9Indiana University Press, 1983 |
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Resultater 1-3 af 83
Side 5
... hand , and , on the other hand , the scandals of the early years of the Third Republic , the Panama Canal Affair , the importance attached to political and parliamentary activity , the dispute over the relationship between church and ...
... hand , and , on the other hand , the scandals of the early years of the Third Republic , the Panama Canal Affair , the importance attached to political and parliamentary activity , the dispute over the relationship between church and ...
Side 14
... hand - held camera , and another the third - person voice - over . The dramatized or fiction footage , which constitutes the major part of the film , is shot almost entirely in hand - held camera . This is of course a camera style we ...
... hand - held camera , and another the third - person voice - over . The dramatized or fiction footage , which constitutes the major part of the film , is shot almost entirely in hand - held camera . This is of course a camera style we ...
Side 93
... hand in hand like the gauchos of the old tango . The mirror reflects a counter - image- flip sides of the same coin : " Idealization or denigration : two ways to fall into a strikingly rigid system of signs . They both have the same ...
... hand in hand like the gauchos of the old tango . The mirror reflects a counter - image- flip sides of the same coin : " Idealization or denigration : two ways to fall into a strikingly rigid system of signs . They both have the same ...
Indhold
Monster Events | 5 |
Roegs Bad Timing | 21 |
Eisensteinian Concepts | 41 |
Copyright | |
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Achternbusch Alexander Kluge Anastasia avant-garde become body Buenos Aires Cahiers du cinéma camera character cinema concept context contradiction critical critique cultural cybernetic cyborg desire dialectical diegesis diegetic discourse documentary dominant effect Eisenstein Eisensteinian enunciation essay example Fassbinder Fassbinder's female feminism feminist fiction figure film theory film's filmic filmmakers fragment frame function gaze German Germany in Autumn Godard Helke Sander Herbert Achternbusch human identity ideological imaginary India Cabaret Ivan Kaja Silverman Kluge Lacan language Laura Mulvey Lili Marleen look male meaning metaphor mode montage movement narrative narrator notion nuclear Oedipal opposition political position postmodern precisely present produce question relation relationship representation represented Sander scene sense sequence sexual difference shot signifier social space speak spectator speech story structure Subjective Factor symbolic tango theoretical tion tive traditional trans viewer visual voice whole woman women word writing