Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bind 5–9Indiana University Press, 1983 |
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Side 46
... given place and time , owes its importance to montage , and more precisely to a certain conception of montage as fragmentation ( mangling , as it has sometimes been termed pejoratively ) . There can be no question of attributing this ...
... given place and time , owes its importance to montage , and more precisely to a certain conception of montage as fragmentation ( mangling , as it has sometimes been termed pejoratively ) . There can be no question of attributing this ...
Side 13
... given will use it only as foreseen by those who gave it . " 2 ( Confidentially , I live in a state of intense fear , knowing that Western education has taught you aggression in equality . Now I sleep with a gun under my pillow and lock ...
... given will use it only as foreseen by those who gave it . " 2 ( Confidentially , I live in a state of intense fear , knowing that Western education has taught you aggression in equality . Now I sleep with a gun under my pillow and lock ...
Side 35
... given in Mary Murray , “ Battling Illness with Body Proteins , ” Science News 131 ( January 17 , 1987 ) : 42-45 . See also Franklin W. Stahl , “ Genetic Recombination , ” Scientific American 256 ( 1987 ) : 90-101 . " Jean - François ...
... given in Mary Murray , “ Battling Illness with Body Proteins , ” Science News 131 ( January 17 , 1987 ) : 42-45 . See also Franklin W. Stahl , “ Genetic Recombination , ” Scientific American 256 ( 1987 ) : 90-101 . " Jean - François ...
Indhold
Monster Events | 5 |
Roegs Bad Timing | 21 |
Eisensteinian Concepts | 41 |
Copyright | |
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Achternbusch Alexander Kluge Anastasia avant-garde become body Buenos Aires Cahiers du cinéma camera character cinema concept context contradiction critical critique cultural cybernetic cyborg desire dialectical diegesis diegetic discourse documentary dominant effect Eisenstein Eisensteinian enunciation essay example Fassbinder Fassbinder's female feminism feminist fiction figure film theory film's filmic filmmakers fragment frame function gaze German Germany in Autumn Godard Helke Sander Herbert Achternbusch human identity ideological imaginary India Cabaret Ivan Kaja Silverman Kluge Lacan language Laura Mulvey Lili Marleen look male meaning metaphor mode montage movement narrative narrator notion nuclear Oedipal opposition political position postmodern precisely present produce question relation relationship representation represented Sander scene sense sequence sexual difference shot signifier social space speak spectator speech story structure Subjective Factor symbolic tango theoretical tion tive traditional trans viewer visual voice whole woman women word writing