Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bind 5–9Indiana University Press, 1983 |
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Side 23
... existence of transitional periods which sometimes require a certain autonomy . Examples of these are seen in the novitiate and the betrothal . It is this concept of transition that provides an orientation for understanding the ...
... existence of transitional periods which sometimes require a certain autonomy . Examples of these are seen in the novitiate and the betrothal . It is this concept of transition that provides an orientation for understanding the ...
Side 17
... existence and our needs . This is an old and primary tool of all oppressors to keep the oppressed occupied with the mas- ter's concerns . Now we hear that it is the task of black and third world women to educate white women , in the ...
... existence and our needs . This is an old and primary tool of all oppressors to keep the oppressed occupied with the mas- ter's concerns . Now we hear that it is the task of black and third world women to educate white women , in the ...
Side 90
... existence and in this sense the Porteña is dependent upon the gaze : " How to live , if not through this mirror ... ? She would live - certainly - but clouded , dulled , without brilliance . . . ” ( BA 16 ) . “ In Buenos Aires the gaze ...
... existence and in this sense the Porteña is dependent upon the gaze : " How to live , if not through this mirror ... ? She would live - certainly - but clouded , dulled , without brilliance . . . ” ( BA 16 ) . “ In Buenos Aires the gaze ...
Indhold
Monster Events | 5 |
Roegs Bad Timing | 21 |
Eisensteinian Concepts | 41 |
Copyright | |
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Achternbusch Alexander Kluge Anastasia avant-garde become body Buenos Aires Cahiers du cinéma camera character cinema concept context contradiction critical critique cultural cybernetic cyborg desire dialectical diegesis diegetic discourse documentary dominant effect Eisenstein Eisensteinian enunciation essay example Fassbinder Fassbinder's female feminism feminist fiction figure film theory film's filmic filmmakers fragment frame function gaze German Germany in Autumn Godard Helke Sander Herbert Achternbusch human identity ideological imaginary India Cabaret Ivan Kaja Silverman Kluge Lacan language Laura Mulvey Lili Marleen look male meaning metaphor mode montage movement narrative narrator notion nuclear Oedipal opposition political position postmodern precisely present produce question relation relationship representation represented Sander scene sense sequence sexual difference shot signifier social space speak spectator speech story structure Subjective Factor symbolic tango theoretical tion tive traditional trans viewer visual voice whole woman women word writing