Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bind 5–9Indiana University Press, 1983 |
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Side 12
... discourse . All currently dominant discourses , right or left - all , that is , which are congruent with an existing social order- make sexual difference an implicit deciding factor for admittance to their fellowships . Women enter ...
... discourse . All currently dominant discourses , right or left - all , that is , which are congruent with an existing social order- make sexual difference an implicit deciding factor for admittance to their fellowships . Women enter ...
Side 28
... discourses , and insists upon the scrupulous observance of its own rules . Thus Till not only removes Anne - Marie from the commune , but ulti- mately wrests her away from the discourse of feminism ; she sits unhap- pily but quietly as ...
... discourses , and insists upon the scrupulous observance of its own rules . Thus Till not only removes Anne - Marie from the commune , but ulti- mately wrests her away from the discourse of feminism ; she sits unhap- pily but quietly as ...
Side 54
... discourse and articulation of subject positions . Thus they demand a space , both in film theory and criticism , for the dimensions of history , memory , and experience , discourses in the combat zone between public and private realms ...
... discourse and articulation of subject positions . Thus they demand a space , both in film theory and criticism , for the dimensions of history , memory , and experience , discourses in the combat zone between public and private realms ...
Indhold
Monster Events | 5 |
Roegs Bad Timing | 21 |
Eisensteinian Concepts | 41 |
Copyright | |
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Achternbusch Alexander Kluge Anastasia avant-garde become body Buenos Aires Cahiers du cinéma camera character cinema concept context contradiction critical critique cultural cybernetic cyborg desire dialectical diegesis diegetic discourse documentary dominant effect Eisenstein Eisensteinian enunciation essay example Fassbinder Fassbinder's female feminism feminist fiction figure film theory film's filmic filmmakers fragment frame function gaze German Germany in Autumn Godard Helke Sander Herbert Achternbusch human identity ideological imaginary India Cabaret Ivan Kaja Silverman Kluge Lacan language Laura Mulvey Lili Marleen look male meaning metaphor mode montage movement narrative narrator notion nuclear Oedipal opposition political position postmodern precisely present produce question relation relationship representation represented Sander scene sense sequence sexual difference shot signifier social space speak spectator speech story structure Subjective Factor symbolic tango theoretical tion tive traditional trans viewer visual voice whole woman women word writing