Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bind 5–9Indiana University Press, 1983 |
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Side 42
... concerned with order , those concerned with duration , and those concerned with the mode of the narra- tive . One of the most operative notions in these distinctions is focalisation ( focusing ) , or the process of isolation and ...
... concerned with order , those concerned with duration , and those concerned with the mode of the narra- tive . One of the most operative notions in these distinctions is focalisation ( focusing ) , or the process of isolation and ...
Side 17
... concern , and interest . Why not go and find out for yourself when you don't know ? Why let yourself be trapped in ... concerned with the question of Third World women ? After all , it is only one issue among many others . " Delete the ...
... concern , and interest . Why not go and find out for yourself when you don't know ? Why let yourself be trapped in ... concerned with the question of Third World women ? After all , it is only one issue among many others . " Delete the ...
Side 32
... Concerned Scientists , a prestigious group that includes over half of the living American Nobel Laureates , has spoken out eloquently on the risks involved . " The problem of designing a reliable computer program to coordinate and ...
... Concerned Scientists , a prestigious group that includes over half of the living American Nobel Laureates , has spoken out eloquently on the risks involved . " The problem of designing a reliable computer program to coordinate and ...
Indhold
Monster Events | 5 |
Roegs Bad Timing | 21 |
Eisensteinian Concepts | 41 |
Copyright | |
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Achternbusch Alexander Kluge Anastasia avant-garde become body Buenos Aires Cahiers du cinéma camera character cinema concept context contradiction critical critique cultural cybernetic cyborg desire dialectical diegesis diegetic discourse documentary dominant effect Eisenstein Eisensteinian enunciation essay example Fassbinder Fassbinder's female feminism feminist fiction figure film theory film's filmic filmmakers fragment frame function gaze German Germany in Autumn Godard Helke Sander Herbert Achternbusch human identity ideological imaginary India Cabaret Ivan Kaja Silverman Kluge Lacan language Laura Mulvey Lili Marleen look male meaning metaphor mode montage movement narrative narrator notion nuclear Oedipal opposition political position postmodern precisely present produce question relation relationship representation represented Sander scene sense sequence sexual difference shot signifier social space speak spectator speech story structure Subjective Factor symbolic tango theoretical tion tive traditional trans viewer visual voice whole woman women word writing