Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bind 5–9Indiana University Press, 1983 |
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Side 13
... body as enactment of individual and / or collective violence . To inquire into how we have gone about territorializing the body obviously constitutes only one of the many conceivable moves toward activating an ecological hermeneutic ...
... body as enactment of individual and / or collective violence . To inquire into how we have gone about territorializing the body obviously constitutes only one of the many conceivable moves toward activating an ecological hermeneutic ...
Side 14
... body , exposed to the pitiless onslaught of Time . He establishes this frame so skillfully , that grim Endicott's castrating blow transforms , before our eyes , into an act of mercy . By chopping down the maypole , provocative symbol of ...
... body , exposed to the pitiless onslaught of Time . He establishes this frame so skillfully , that grim Endicott's castrating blow transforms , before our eyes , into an act of mercy . By chopping down the maypole , provocative symbol of ...
Side 68
... body . " Captain Cosmo , " to choose one of a whole world of imaginary characters , is a plastic figure , whose white and red body can be taken apart and rebuilt in various forms . The chil- dren can substitute a leg for the head , an ...
... body . " Captain Cosmo , " to choose one of a whole world of imaginary characters , is a plastic figure , whose white and red body can be taken apart and rebuilt in various forms . The chil- dren can substitute a leg for the head , an ...
Indhold
Monster Events | 5 |
Roegs Bad Timing | 21 |
Eisensteinian Concepts | 41 |
Copyright | |
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Achternbusch Alexander Kluge Anastasia avant-garde become body Buenos Aires Cahiers du cinéma camera character cinema concept context contradiction critical critique cultural cybernetic cyborg desire dialectical diegesis diegetic discourse documentary dominant effect Eisenstein Eisensteinian enunciation essay example Fassbinder Fassbinder's female feminism feminist fiction figure film theory film's filmic filmmakers fragment frame function gaze German Germany in Autumn Godard Helke Sander Herbert Achternbusch human identity ideological imaginary India Cabaret Ivan Kaja Silverman Kluge Lacan language Laura Mulvey Lili Marleen look male meaning metaphor mode montage movement narrative narrator notion nuclear Oedipal opposition political position postmodern precisely present produce question relation relationship representation represented Sander scene sense sequence sexual difference shot signifier social space speak spectator speech story structure Subjective Factor symbolic tango theoretical tion tive traditional trans viewer visual voice whole woman women word writing