Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bind 5–9Indiana University Press, 1983 |
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Side 65
Berkeley Journal for Theoretical Studies in Media and Culture. that , in Lacanian theory , the object of desire is literally indifferent ( " There is no object of desire : Man is desiring ” —P . Legendre ) . Lacan's graphic ...
Berkeley Journal for Theoretical Studies in Media and Culture. that , in Lacanian theory , the object of desire is literally indifferent ( " There is no object of desire : Man is desiring ” —P . Legendre ) . Lacan's graphic ...
Side 66
... Lacan , an Epilogue to a Thought , and a con- clusion . Lacan and I met while I was working with some scientists at McMaster University on how the substances that carry messages from one brain cell to another could perhaps be more fully ...
... Lacan , an Epilogue to a Thought , and a con- clusion . Lacan and I met while I was working with some scientists at McMaster University on how the substances that carry messages from one brain cell to another could perhaps be more fully ...
Side 75
... Lacan says that I am trying to test out my own remorse ; to substitute other feelings for my guilt ; I cry because I haven't come to terms with the necessary disjunctures that make my integration into society possible . I can cry in the ...
... Lacan says that I am trying to test out my own remorse ; to substitute other feelings for my guilt ; I cry because I haven't come to terms with the necessary disjunctures that make my integration into society possible . I can cry in the ...
Indhold
Monster Events | 5 |
Roegs Bad Timing | 21 |
Eisensteinian Concepts | 41 |
Copyright | |
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Achternbusch Alexander Kluge Anastasia avant-garde become body Buenos Aires Cahiers du cinéma camera character cinema concept context contradiction critical critique cultural cybernetic cyborg desire dialectical diegesis diegetic discourse documentary dominant effect Eisenstein Eisensteinian enunciation essay example Fassbinder Fassbinder's female feminism feminist fiction figure film theory film's filmic filmmakers fragment frame function gaze German Germany in Autumn Godard Helke Sander Herbert Achternbusch human identity ideological imaginary India Cabaret Ivan Kaja Silverman Kluge Lacan language Laura Mulvey Lili Marleen look male meaning metaphor mode montage movement narrative narrator notion nuclear Oedipal opposition political position postmodern precisely present produce question relation relationship representation represented Sander scene sense sequence sexual difference shot signifier social space speak spectator speech story structure Subjective Factor symbolic tango theoretical tion tive traditional trans viewer visual voice whole woman women word writing