Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bind 5–9Indiana University Press, 1983 |
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Side 35
... Kluge's depiction , we might well be in the fifties . Further , the most basic politics of abortion are altered . The major villain is the rival woman abortionist who does sloppy work and informs on Roswitha ; not a word about the ...
... Kluge's depiction , we might well be in the fifties . Further , the most basic politics of abortion are altered . The major villain is the rival woman abortionist who does sloppy work and informs on Roswitha ; not a word about the ...
Side 36
... Kluge offers a different view of the female characters that populate his films : he idealizes the irra- tionality he has imposed upon them , praises the " chaos " from which new choices can potentially be constituted , and blasts logic ...
... Kluge offers a different view of the female characters that populate his films : he idealizes the irra- tionality he has imposed upon them , praises the " chaos " from which new choices can potentially be constituted , and blasts logic ...
Side 72
... Kluge's own The Patriot . 11. Negt / Kluge , Offentlichkeit und Erfahrung : Zur Organisationsanalyse von bürgerlicher und proletarischer Offentlichkeit ( Frankfurt / M .: Suhrkamp , 1972 ) . For a first English summary of this book ...
... Kluge's own The Patriot . 11. Negt / Kluge , Offentlichkeit und Erfahrung : Zur Organisationsanalyse von bürgerlicher und proletarischer Offentlichkeit ( Frankfurt / M .: Suhrkamp , 1972 ) . For a first English summary of this book ...
Indhold
Monster Events | 5 |
Roegs Bad Timing | 21 |
Eisensteinian Concepts | 41 |
Copyright | |
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Achternbusch Alexander Kluge Anastasia avant-garde become body Buenos Aires Cahiers du cinéma camera character cinema concept context contradiction critical critique cultural cybernetic cyborg desire dialectical diegesis diegetic discourse documentary dominant effect Eisenstein Eisensteinian enunciation essay example Fassbinder Fassbinder's female feminism feminist fiction figure film theory film's filmic filmmakers fragment frame function gaze German Germany in Autumn Godard Helke Sander Herbert Achternbusch human identity ideological imaginary India Cabaret Ivan Kaja Silverman Kluge Lacan language Laura Mulvey Lili Marleen look male meaning metaphor mode montage movement narrative narrator notion nuclear Oedipal opposition political position postmodern precisely present produce question relation relationship representation represented Sander scene sense sequence sexual difference shot signifier social space speak spectator speech story structure Subjective Factor symbolic tango theoretical tion tive traditional trans viewer visual voice whole woman women word writing