Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bind 5–9Indiana University Press, 1983 |
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Side 3
... German Cinema , and popular culture . Miriam Hansen is Assistant Professor at Rutgers University . She has pubished ... German and Film at the University of Wisconsin - Milwaukee and was conference organizer of " German Avant - Garde ...
... German Cinema , and popular culture . Miriam Hansen is Assistant Professor at Rutgers University . She has pubished ... German and Film at the University of Wisconsin - Milwaukee and was conference organizer of " German Avant - Garde ...
Side 4
... German avant - garde films by these two negatives is insufficient and says little or nothing about the actual selection of the films screened and topics discussed at this conference . German avant - garde film has two traditions : on ...
... German avant - garde films by these two negatives is insufficient and says little or nothing about the actual selection of the films screened and topics discussed at this conference . German avant - garde film has two traditions : on ...
Side 71
... German Critique , no . 24-25 , pp . 94-107 . The latter is part of a booklength study , " The Dialogic Image : Audience , Text and Context in Contemporary German Cinema . " Also pertinent is the essay version of Corrigan's paper read at ...
... German Critique , no . 24-25 , pp . 94-107 . The latter is part of a booklength study , " The Dialogic Image : Audience , Text and Context in Contemporary German Cinema . " Also pertinent is the essay version of Corrigan's paper read at ...
Indhold
Monster Events | 5 |
Roegs Bad Timing | 21 |
Eisensteinian Concepts | 41 |
Copyright | |
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Achternbusch Alexander Kluge Anastasia avant-garde become body Buenos Aires Cahiers du cinéma camera character cinema concept context contradiction critical critique cultural cybernetic cyborg desire dialectical diegesis diegetic discourse documentary dominant effect Eisenstein Eisensteinian enunciation essay example Fassbinder Fassbinder's female feminism feminist fiction figure film theory film's filmic filmmakers fragment frame function gaze German Germany in Autumn Godard Helke Sander Herbert Achternbusch human identity ideological imaginary India Cabaret Ivan Kaja Silverman Kluge Lacan language Laura Mulvey Lili Marleen look male meaning metaphor mode montage movement narrative narrator notion nuclear Oedipal opposition political position postmodern precisely present produce question relation relationship representation represented Sander scene sense sequence sexual difference shot signifier social space speak spectator speech story structure Subjective Factor symbolic tango theoretical tion tive traditional trans viewer visual voice whole woman women word writing