Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bind 5–9Indiana University Press, 1983 |
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Side 80
... Eisenstein has used all his ingenuity to show that same state of ecstasy to be . If that state is so formless , one may , of course , always hope to orient it to suit one's desires ( and this is what Eisenstein does not fail to suggest ) ...
... Eisenstein has used all his ingenuity to show that same state of ecstasy to be . If that state is so formless , one may , of course , always hope to orient it to suit one's desires ( and this is what Eisenstein does not fail to suggest ) ...
Side 85
... Eisenstein's thinking . Studies of Eisenstein , at least those which are concerned with this issue ( and they are few in number ) , have in general a tendency to feel that a " young Eisenstein , " who supposedly adhered to a ...
... Eisenstein's thinking . Studies of Eisenstein , at least those which are concerned with this issue ( and they are few in number ) , have in general a tendency to feel that a " young Eisenstein , " who supposedly adhered to a ...
Side 92
... Eisenstein is not the Brecht of Soviet cinema . Translated by Lee Hildreth Notes 1. Jacques Aumont , Montage Eisenstein , ( Paris : Editions Albatros , Collection Ca / Cinéma , 1979. ) , pp . 41-90 . 2. The reader of this translation ...
... Eisenstein is not the Brecht of Soviet cinema . Translated by Lee Hildreth Notes 1. Jacques Aumont , Montage Eisenstein , ( Paris : Editions Albatros , Collection Ca / Cinéma , 1979. ) , pp . 41-90 . 2. The reader of this translation ...
Indhold
Monster Events | 5 |
Roegs Bad Timing | 21 |
Eisensteinian Concepts | 41 |
Copyright | |
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Achternbusch Alexander Kluge Anastasia avant-garde become body Buenos Aires Cahiers du cinéma camera character cinema concept context contradiction critical critique cultural cybernetic cyborg desire dialectical diegesis diegetic discourse documentary dominant effect Eisenstein Eisensteinian enunciation essay example Fassbinder Fassbinder's female feminism feminist fiction figure film theory film's filmic filmmakers fragment frame function gaze German Germany in Autumn Godard Helke Sander Herbert Achternbusch human identity ideological imaginary India Cabaret Ivan Kaja Silverman Kluge Lacan language Laura Mulvey Lili Marleen look male meaning metaphor mode montage movement narrative narrator notion nuclear Oedipal opposition political position postmodern precisely present produce question relation relationship representation represented Sander scene sense sequence sexual difference shot signifier social space speak spectator speech story structure Subjective Factor symbolic tango theoretical tion tive traditional trans viewer visual voice whole woman women word writing