Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bind 5–9

Aires Algiers appears become body called character cinema close comes completely concept concerned construction context course critical cultural death defined desire diegesis discourse dominant effect Eisenstein example existence experience expression fact feel female feminist fiction figure film finally fragment frame function German give given hand human idea identity important issue kind Kluge language less live look male Marxism material meaning memory montage move movement narrative nature never nuclear object once opposition organization particular performance play political position possible postmodern practice precisely present problem produce question referent relation relationship remains representation represented scene seems seen sense sequence sexual shot social society sound space speak specific spectator story structure suggests symbolic theory things tion traditional turn voice whole woman women writing