King LearApplause Books, 1996 - 220 sider (Applause Books). These popular editions allow the reader and student to look beyond the scholarly reading text to the more sensuous, more collaborative, more malleable performance text which emerges in conjunction with the commentary and notes. Each note, each gloss, each commentary reflects the stage life of the play with constant reference to the challenge of the text in performance. Readers will not only discover an enlivened Shakespeare, they will be empowered to rehearse and direct their own productions of the imagination in the process. |
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Side 27
... true it is that Gloucester " tenderly and entirely loves " Edgar ( 1. 88 ) ; if absolutely true , the father could be in tears , his emphatic speech pathetic , his mind almost deranged and at the mercy of Edmund . 73-93 Edmund delays ...
... true it is that Gloucester " tenderly and entirely loves " Edgar ( 1. 88 ) ; if absolutely true , the father could be in tears , his emphatic speech pathetic , his mind almost deranged and at the mercy of Edmund . 73-93 Edmund delays ...
Side 95
... true need . " At this point he breaks off and changes yet again : he now imagines himself exposed before the " gods . " He probably kneels to beg for patience , or shuts his eyes . All contact with his daughters is gone : he is quiet ...
... true need . " At this point he breaks off and changes yet again : he now imagines himself exposed before the " gods . " He probably kneels to beg for patience , or shuts his eyes . All contact with his daughters is gone : he is quiet ...
Side 125
... true thoughts and feelings . Kent is a more stable ele- ment , but he hides his true identity . At a first reading , the actors confront a seemingly haphazard collection of confusing signals ; but during rehearsals , as the characters ...
... true thoughts and feelings . Kent is a more stable ele- ment , but he hides his true identity . At a first reading , the actors confront a seemingly haphazard collection of confusing signals ; but during rehearsals , as the characters ...
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action actor Albany answer appear arms asks attention audience authority become breaks bring character close comes Cordelia CORNWALL danger daughters death draw duke Edgar Edmund effect Enter Exit eyes face fall father fear feeling fiend follow fool fortune France further give Gloucester Gloucester's gods Goneril hand hath head hear heart hold immediately keep Kent kill king Lear Lear's leaves letter live look lord master means mind nature never night offer omits once OSWALD pain pause performance perhaps play poor probably question Regan response scene seems sense servant Shakespeare silent sister speak speech spoken stage stands storm suffering suggests talk tears tell thee thing thou thoughts tion tries true turns voice whole