King LearApplause Books, 1996 - 220 sider (Applause Books). These popular editions allow the reader and student to look beyond the scholarly reading text to the more sensuous, more collaborative, more malleable performance text which emerges in conjunction with the commentary and notes. Each note, each gloss, each commentary reflects the stage life of the play with constant reference to the challenge of the text in performance. Readers will not only discover an enlivened Shakespeare, they will be empowered to rehearse and direct their own productions of the imagination in the process. |
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Side 7
... spoken as aggressive and challenging sar- casms . Lear's " darker purpose , " " future strife , " " fast intent " and " constant will " can show an old man resolved to control events to the last . But crucial issues ( especially at line ...
... spoken as aggressive and challenging sar- casms . Lear's " darker purpose , " " future strife , " " fast intent " and " constant will " can show an old man resolved to control events to the last . But crucial issues ( especially at line ...
Side 9
... spoken as her sisters embrace their father . The short phrases can suggest surprise or apprehension , quiet assurance or a resolute prepara- tion for the worst , depending on whether they are spoken slowly or quickly , loudly or quietly ...
... spoken as her sisters embrace their father . The short phrases can suggest surprise or apprehension , quiet assurance or a resolute prepara- tion for the worst , depending on whether they are spoken slowly or quickly , loudly or quietly ...
Side 163
... spoken as a half - dazed rationalization or else as a statement of purposeful and loving concern , expressed clumsily because of his conflicting feelings and his fear of the outcome . At line 27 , Gloucester lets go of Edgar's sup ...
... spoken as a half - dazed rationalization or else as a statement of purposeful and loving concern , expressed clumsily because of his conflicting feelings and his fear of the outcome . At line 27 , Gloucester lets go of Edgar's sup ...
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actor Alack Albany Albany's answer Anthony Hopkins arms attention audience Burgundy cester Charles Laughton Cordelia CORNWALL curse danger daughters David Garrick death disguise dost duke Duke of Cornwall echo Edgar Edmund Exeunt Exit eyes F omits father fear feeling fiend follow fool fool's fortune France GENTLEMAN give Glou Gloucester Gloucester's gods half-line hast hath hear heart heavens Henry Irving incomplete verse-line James Earl Jones John Gielgud Kent Kent's kill King Lear knave kneels Lear's leaves letter look lord madam master messenger mind night nuncle Old Vic OSWALD pain pause perhaps Peter Brook pity play poor Poor Tom Pray probably question reply scene servant sexual Shakespeare silent sister soliloquy speak speech spoken stage stands storm Stratford-upon-Avon suffering sword talk tears thee thine thou thoughts tion tragedy trumpet turns villain voice weep words