King LearApplause Books, 1996 - 220 sider (Applause Books). These popular editions allow the reader and student to look beyond the scholarly reading text to the more sensuous, more collaborative, more malleable performance text which emerges in conjunction with the commentary and notes. Each note, each gloss, each commentary reflects the stage life of the play with constant reference to the challenge of the text in performance. Readers will not only discover an enlivened Shakespeare, they will be empowered to rehearse and direct their own productions of the imagination in the process. |
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Side 20
... sister , ° am most loath to call Your faults as they are named . ° Love well our father . To your professèd bosoms I commit ° him . But yet , alas , stood I within his grace , I would prefer him to a better place . So farewell to you ...
... sister , ° am most loath to call Your faults as they are named . ° Love well our father . To your professèd bosoms I commit ° him . But yet , alas , stood I within his grace , I would prefer him to a better place . So farewell to you ...
Side 21
... sister offers comfort or good wishes , Cordelia is stung to clear denunciation and , possibly , anger . France now urges her to go . 279-300 Goneril and Regan talk quietly together in efficient prose , in which observation is followed ...
... sister offers comfort or good wishes , Cordelia is stung to clear denunciation and , possibly , anger . France now urges her to go . 279-300 Goneril and Regan talk quietly together in efficient prose , in which observation is followed ...
Side 186
... sister Should loosen ° him and me . ALBANY Our very loving sister , well be - met . Sir , this I heard : the king is come to his daughter , With others whom the rigor of our state ° Forced to cry out . ° Where I could not be honest ...
... sister Should loosen ° him and me . ALBANY Our very loving sister , well be - met . Sir , this I heard : the king is come to his daughter , With others whom the rigor of our state ° Forced to cry out . ° Where I could not be honest ...
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action actor Albany answer appear arms asks attention audience authority become breaks bring character close comes Cordelia CORNWALL danger daughters death draw duke Edgar Edmund effect Enter Exit eyes face fall father fear feeling fiend follow fool fortune France further give Gloucester Gloucester's gods Goneril hand hath head hear heart hold immediately keep Kent kill king Lear Lear's leaves letter live look lord master means mind nature never night offer omits once OSWALD pain pause performance perhaps play poor probably question Regan response scene seems sense servant Shakespeare silent sister speak speech spoken stage stands storm suffering suggests talk tears tell thee thing thou thoughts tion tries true turns voice whole