King LearApplause Books, 1996 - 220 sider (Applause Books). These popular editions allow the reader and student to look beyond the scholarly reading text to the more sensuous, more collaborative, more malleable performance text which emerges in conjunction with the commentary and notes. Each note, each gloss, each commentary reflects the stage life of the play with constant reference to the challenge of the text in performance. Readers will not only discover an enlivened Shakespeare, they will be empowered to rehearse and direct their own productions of the imagination in the process. |
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Side 15
... silent ; an isolated old man , surrounded by accusing or conniving silence . 183-204 Trumpets and a processional entry start new business boldly , and crowd the stage still more with Lear's dependents . France and Burgundy will greet ...
... silent ; an isolated old man , surrounded by accusing or conniving silence . 183-204 Trumpets and a processional entry start new business boldly , and crowd the stage still more with Lear's dependents . France and Burgundy will greet ...
Side 81
... silence laughter , becoming increasingly emphatic and more weightily in com- mand , until " They durst not do't . " So played ... silent Lear . At line 40 , Kent may look for a sign of recognition ; this will ensure that the focus is ...
... silence laughter , becoming increasingly emphatic and more weightily in com- mand , until " They durst not do't . " So played ... silent Lear . At line 40 , Kent may look for a sign of recognition ; this will ensure that the focus is ...
Side 135
... silent before answering , as indicated by the incomplete verse- lines 44 , 46 , 50 , and 55. In performance various physical persuasions are employed by the servants under silent instructions , or by Regan herself . The half - truth of ...
... silent before answering , as indicated by the incomplete verse- lines 44 , 46 , 50 , and 55. In performance various physical persuasions are employed by the servants under silent instructions , or by Regan herself . The half - truth of ...
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actor Alack Albany Albany's answer Anthony Hopkins arms attention audience Burgundy cester Charles Laughton Cordelia CORNWALL curse danger daughters David Garrick death disguise dost duke Duke of Cornwall echo Edgar Edmund Exeunt Exit eyes F omits father fear feeling fiend follow fool fool's fortune France GENTLEMAN give Glou Gloucester Gloucester's gods half-line hast hath hear heart heavens Henry Irving incomplete verse-line James Earl Jones John Gielgud Kent Kent's kill King Lear knave kneels Lear's leaves letter look lord madam master messenger mind night nuncle Old Vic OSWALD pain pause perhaps Peter Brook pity play poor Poor Tom Pray probably question reply scene servant sexual Shakespeare silent sister soliloquy speak speech spoken stage stands storm Stratford-upon-Avon suffering sword talk tears thee thine thou thoughts tion tragedy trumpet turns villain voice weep words