King LearApplause Books, 1996 - 220 sider (Applause Books). These popular editions allow the reader and student to look beyond the scholarly reading text to the more sensuous, more collaborative, more malleable performance text which emerges in conjunction with the commentary and notes. Each note, each gloss, each commentary reflects the stage life of the play with constant reference to the challenge of the text in performance. Readers will not only discover an enlivened Shakespeare, they will be empowered to rehearse and direct their own productions of the imagination in the process. |
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Side 19
... sense of loss , which he has to struggle to hide as he holds " firm " in denying his love ? After this , another pause ( he also speaks an incomplete verse - line ) ensures that Lear's reaffirma- tion stands on its own , clear ...
... sense of loss , which he has to struggle to hide as he holds " firm " in denying his love ? After this , another pause ( he also speaks an incomplete verse - line ) ensures that Lear's reaffirma- tion stands on its own , clear ...
Side 177
... sense of doom . He struggles to rise , but Edgar persuades him to desist , before continuing to search the dead body . Edgar may not be sure that Oswald is dead until " He's dead " ( 1. 248 ) ; in which case all his preceding words ...
... sense of doom . He struggles to rise , but Edgar persuades him to desist , before continuing to search the dead body . Edgar may not be sure that Oswald is dead until " He's dead " ( 1. 248 ) ; in which case all his preceding words ...
Side 205
... sense that all in its tangled web was for the best . When Edgar comes to his father's death , his speech is suffused with pity and tenderness . He stops before all has been told , as Edmund , himself deeply moved , can see clearly ...
... sense that all in its tangled web was for the best . When Edgar comes to his father's death , his speech is suffused with pity and tenderness . He stops before all has been told , as Edmund , himself deeply moved , can see clearly ...
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Almindelige termer og sætninger
action actor Albany answer appear arms asks attention audience authority become breaks bring character close comes Cordelia CORNWALL danger daughters death draw duke Edgar Edmund effect Enter Exit eyes face fall father fear feeling fiend follow fool fortune France further give Gloucester Gloucester's gods Goneril hand hath head hear heart hold immediately keep Kent kill king Lear Lear's leaves letter live look lord master means mind nature never night offer omits once OSWALD pain pause performance perhaps play poor probably question Regan response scene seems sense servant Shakespeare silent sister speak speech spoken stage stands storm suffering suggests talk tears tell thee thing thou thoughts tion tries true turns voice whole