King LearApplause Books, 1996 - 220 sider (Applause Books). These popular editions allow the reader and student to look beyond the scholarly reading text to the more sensuous, more collaborative, more malleable performance text which emerges in conjunction with the commentary and notes. Each note, each gloss, each commentary reflects the stage life of the play with constant reference to the challenge of the text in performance. Readers will not only discover an enlivened Shakespeare, they will be empowered to rehearse and direct their own productions of the imagination in the process. |
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Side 27
... response is to praise his own love and care of Edgar , and so Edmund knows his fish is caught . He is ready to go now . Gloucester's assertion that he would " unstate " himself ( 1.91 ) may be intended as a hint to his bas- tard that ...
... response is to praise his own love and care of Edgar , and so Edmund knows his fish is caught . He is ready to go now . Gloucester's assertion that he would " unstate " himself ( 1.91 ) may be intended as a hint to his bas- tard that ...
Side 41
... responses ( as at II . 95 , 98 , 118 and , with a touch of sympathy , 149 ) . Some Lears handle and use a whip ; it may twitch in his hand when he gives no verbal response to the fool . A second general impression is more tentative ...
... responses ( as at II . 95 , 98 , 118 and , with a touch of sympathy , 149 ) . Some Lears handle and use a whip ; it may twitch in his hand when he gives no verbal response to the fool . A second general impression is more tentative ...
Side 43
... response , it is the king who brings the fooling still closer to I.i.86 : " Nothing will come of nothing . " After " Why no , boy , " Paul Scofield's Lear " paused as the sour taste bit him , and his voice sank " before " Nothing can be ...
... response , it is the king who brings the fooling still closer to I.i.86 : " Nothing will come of nothing . " After " Why no , boy , " Paul Scofield's Lear " paused as the sour taste bit him , and his voice sank " before " Nothing can be ...
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Almindelige termer og sætninger
action actor Albany answer appear arms asks attention audience authority become breaks bring character close comes Cordelia CORNWALL danger daughters death draw duke Edgar Edmund effect Enter Exit eyes face fall father fear feeling fiend follow fool fortune France further give Gloucester Gloucester's gods Goneril hand hath head hear heart hold immediately keep Kent kill king Lear Lear's leaves letter live look lord master means mind nature never night offer omits once OSWALD pain pause performance perhaps play poor probably question Regan response scene seems sense servant Shakespeare silent sister speak speech spoken stage stands storm suffering suggests talk tears tell thee thing thou thoughts tion tries true turns voice whole