King LearApplause Books, 1996 - 220 sider (Applause Books). These popular editions allow the reader and student to look beyond the scholarly reading text to the more sensuous, more collaborative, more malleable performance text which emerges in conjunction with the commentary and notes. Each note, each gloss, each commentary reflects the stage life of the play with constant reference to the challenge of the text in performance. Readers will not only discover an enlivened Shakespeare, they will be empowered to rehearse and direct their own productions of the imagination in the process. |
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Side v
... performance . It is a theatrical edition , like no other available at this time . Everyone knows that Shakespeare wrote for performance and not for solitary readers or students in classrooms . Yet the great problem of how to publish the ...
... performance . It is a theatrical edition , like no other available at this time . Everyone knows that Shakespeare wrote for performance and not for solitary readers or students in classrooms . Yet the great problem of how to publish the ...
Side vi
... Performances cannot be confined to a single , unal- terable realization : rather , each production is continually ... performance suitable to the moment and responsive to indi- vidual imaginations . As stimulus for such recreations ...
... Performances cannot be confined to a single , unal- terable realization : rather , each production is continually ... performance suitable to the moment and responsive to indi- vidual imaginations . As stimulus for such recreations ...
Side 51
... performance : " You fall precipitately upon your knees , extend your arms , clench your hands , set your teeth , and with a savage distraction in your look -trembling in all your limbs and your eyes pointed to heaven , [ you use ] a ...
... performance : " You fall precipitately upon your knees , extend your arms , clench your hands , set your teeth , and with a savage distraction in your look -trembling in all your limbs and your eyes pointed to heaven , [ you use ] a ...
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action actor Albany answer appear arms asks attention audience authority become breaks bring character close comes Cordelia CORNWALL danger daughters death draw duke Edgar Edmund effect Enter Exit eyes face fall father fear feeling fiend follow fool fortune France further give Gloucester Gloucester's gods Goneril hand hath head hear heart hold immediately keep Kent kill king Lear Lear's leaves letter live look lord master means mind nature never night offer omits once OSWALD pain pause performance perhaps play poor probably question Regan response scene seems sense servant Shakespeare silent sister speak speech spoken stage stands storm suffering suggests talk tears tell thee thing thou thoughts tion tries true turns voice whole