King LearApplause Books, 1996 - 220 sider (Applause Books). These popular editions allow the reader and student to look beyond the scholarly reading text to the more sensuous, more collaborative, more malleable performance text which emerges in conjunction with the commentary and notes. Each note, each gloss, each commentary reflects the stage life of the play with constant reference to the challenge of the text in performance. Readers will not only discover an enlivened Shakespeare, they will be empowered to rehearse and direct their own productions of the imagination in the process. |
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Side 49
... pain and the loss of " love " are now expressed openly . " Lear , Lear , Lear ! " is the first of a series of repetitions in which Lear's feelings seem to over- power intention and purposeful speech . With “ Go , go , my people " , he ...
... pain and the loss of " love " are now expressed openly . " Lear , Lear , Lear ! " is the first of a series of repetitions in which Lear's feelings seem to over- power intention and purposeful speech . With “ Go , go , my people " , he ...
Side 203
... pain ; or it can be a resolute refusal to treat Albany as his judge or better . A comparison with lago's final " Demand me nothing . What you know , you know . . . " ( Othello , V.ii.303-04 ) suggests that Edmund , too , is now ...
... pain ; or it can be a resolute refusal to treat Albany as his judge or better . A comparison with lago's final " Demand me nothing . What you know , you know . . . " ( Othello , V.ii.303-04 ) suggests that Edmund , too , is now ...
Side 213
... pain and joy . An eye- witness wrote that Henry Irving , as Lear , having parted the hair from Cordelia's face , " caresses it with infinite tenderness , till insensibility steals over his own features , and he passes away , while the ...
... pain and joy . An eye- witness wrote that Henry Irving , as Lear , having parted the hair from Cordelia's face , " caresses it with infinite tenderness , till insensibility steals over his own features , and he passes away , while the ...
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action actor Albany answer appear arms asks attention audience authority become breaks bring character close comes Cordelia CORNWALL danger daughters death draw duke Edgar Edmund effect Enter Exit eyes face fall father fear feeling fiend follow fool fortune France further give Gloucester Gloucester's gods Goneril hand hath head hear heart hold immediately keep Kent kill king Lear Lear's leaves letter live look lord master means mind nature never night offer omits once OSWALD pain pause performance perhaps play poor probably question Regan response scene seems sense servant Shakespeare silent sister speak speech spoken stage stands storm suffering suggests talk tears tell thee thing thou thoughts tion tries true turns voice whole