King LearApplause Books, 1996 - 220 sider (Applause Books). These popular editions allow the reader and student to look beyond the scholarly reading text to the more sensuous, more collaborative, more malleable performance text which emerges in conjunction with the commentary and notes. Each note, each gloss, each commentary reflects the stage life of the play with constant reference to the challenge of the text in performance. Readers will not only discover an enlivened Shakespeare, they will be empowered to rehearse and direct their own productions of the imagination in the process. |
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Side 61
... once , because it was all of his own making ) , Edmund wounds himself without fuss , pausing only to enjoy the humor of the situation he has contrived . He then reassumes the role of outraged son and brother , calling out at the top of ...
... once , because it was all of his own making ) , Edmund wounds himself without fuss , pausing only to enjoy the humor of the situation he has contrived . He then reassumes the role of outraged son and brother , calling out at the top of ...
Side 83
... once , alone . James Earl Jones , in 1973 , spoke " Where is this daughter ? " with contained power : " the murder in his eye is far more chilling than blood or gore would be " ( New York Times ) . Other Lears have been more reckless ...
... once , alone . James Earl Jones , in 1973 , spoke " Where is this daughter ? " with contained power : " the murder in his eye is far more chilling than blood or gore would be " ( New York Times ) . Other Lears have been more reckless ...
Side 145
... once more to withdraw by wishing a blessing on his father . But now Gloucester keeps him at his side by offering a purse : the blind- man not only puts his life at the mercy of a madman , but also recognizes his kinship in suffering and ...
... once more to withdraw by wishing a blessing on his father . But now Gloucester keeps him at his side by offering a purse : the blind- man not only puts his life at the mercy of a madman , but also recognizes his kinship in suffering and ...
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action actor Albany answer appear arms asks attention audience authority become breaks bring character close comes Cordelia CORNWALL danger daughters death draw duke Edgar Edmund effect Enter Exit eyes face fall father fear feeling fiend follow fool fortune France further give Gloucester Gloucester's gods Goneril hand hath head hear heart hold immediately keep Kent kill king Lear Lear's leaves letter live look lord master means mind nature never night offer omits once OSWALD pain pause performance perhaps play poor probably question Regan response scene seems sense servant Shakespeare silent sister speak speech spoken stage stands storm suffering suggests talk tears tell thee thing thou thoughts tion tries true turns voice whole