King LearApplause Books, 1996 - 220 sider (Applause Books). These popular editions allow the reader and student to look beyond the scholarly reading text to the more sensuous, more collaborative, more malleable performance text which emerges in conjunction with the commentary and notes. Each note, each gloss, each commentary reflects the stage life of the play with constant reference to the challenge of the text in performance. Readers will not only discover an enlivened Shakespeare, they will be empowered to rehearse and direct their own productions of the imagination in the process. |
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Side 218
... omits ] 106 mysteries mistresse Q , miseries F 151 as a as 152 nor nere 159 the fee thy fee 164 vow vowes 166 ... omits ] the 118 Fut ! II 120 Edgar- [ F omits ] 121 and pat Pat of ... come [ F omits ] 160 , S.D. [ afterline 159 F ] 115 ...
... omits ] 106 mysteries mistresse Q , miseries F 151 as a as 152 nor nere 159 the fee thy fee 164 vow vowes 166 ... omits ] the 118 Fut ! II 120 Edgar- [ F omits ] 121 and pat Pat of ... come [ F omits ] 160 , S.D. [ afterline 159 F ] 115 ...
Side 219
... omits ] 134 contemned'st temnest Q [ F omits ] 142 For ... legs [ F omits ] 143 Come CORN [ WALL ] Come 144 duke's Duke 166 , S.D. [ F omits ] II.iii . 15 bare arms arms II.iv.2 messenger Messengers 9 man's man 18-19 [ F omits ] 30 ...
... omits ] 134 contemned'st temnest Q [ F omits ] 142 For ... legs [ F omits ] 143 Come CORN [ WALL ] Come 144 duke's Duke 166 , S.D. [ F omits ] II.iii . 15 bare arms arms II.iv.2 messenger Messengers 9 man's man 18-19 [ F omits ] 30 ...
Side 220
... omits ] 32 its ith Q corrected , it Q uncorrected [ F omits ] 47 these the Q uncorrected , this Q corrected [ F omits ] 53-59 that not ... he so [ F omits ] 57 to threat threats Q uncorrected , thereat Q corrected [ F omits ] 60 shows Q ...
... omits ] 32 its ith Q corrected , it Q uncorrected [ F omits ] 47 these the Q uncorrected , this Q corrected [ F omits ] 53-59 that not ... he so [ F omits ] 57 to threat threats Q uncorrected , thereat Q corrected [ F omits ] 60 shows Q ...
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action actor Albany answer appear arms asks attention audience authority become breaks bring character close comes Cordelia CORNWALL danger daughters death draw duke Edgar Edmund effect Enter Exit eyes face fall father fear feeling fiend follow fool fortune France further give Gloucester Gloucester's gods Goneril hand hath head hear heart hold immediately keep Kent kill king Lear Lear's leaves letter live look lord master means mind nature never night offer omits once OSWALD pain pause performance perhaps play poor probably question Regan response scene seems sense servant Shakespeare silent sister speak speech spoken stage stands storm suffering suggests talk tears tell thee thing thou thoughts tion tries true turns voice whole