King LearApplause Books, 1996 - 220 sider (Applause Books). These popular editions allow the reader and student to look beyond the scholarly reading text to the more sensuous, more collaborative, more malleable performance text which emerges in conjunction with the commentary and notes. Each note, each gloss, each commentary reflects the stage life of the play with constant reference to the challenge of the text in performance. Readers will not only discover an enlivened Shakespeare, they will be empowered to rehearse and direct their own productions of the imagination in the process. |
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Side 41
... offer great scope for vocal and physical agil- ity in assuming odd voices and strange postures . At Stratford - upon ... offers it to Lear with a second reference to his daughters . Lear is now outright angry ( 1. 95 ) , and the fool ...
... offer great scope for vocal and physical agil- ity in assuming odd voices and strange postures . At Stratford - upon ... offers it to Lear with a second reference to his daughters . Lear is now outright angry ( 1. 95 ) , and the fool ...
Side 159
... offer money . But by now they seem to know each other very well , so that this line , with all its uncertainty , can be played lightly and the two remain at some distance from each other . At line 22 , Regan tries to get possession of ...
... offer money . But by now they seem to know each other very well , so that this line , with all its uncertainty , can be played lightly and the two remain at some distance from each other . At line 22 , Regan tries to get possession of ...
Side 217
... offers a text derived from an authentic manuscript . The manuscript used for editing the copy of Q from which F was ... offer alternative versions , rather than error and correction . For four hundred lines , then , a modern editor has ...
... offers a text derived from an authentic manuscript . The manuscript used for editing the copy of Q from which F was ... offer alternative versions , rather than error and correction . For four hundred lines , then , a modern editor has ...
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action actor Albany answer appear arms asks attention audience authority become breaks bring character close comes Cordelia CORNWALL danger daughters death draw duke Edgar Edmund effect Enter Exit eyes face fall father fear feeling fiend follow fool fortune France further give Gloucester Gloucester's gods Goneril hand hath head hear heart hold immediately keep Kent kill king Lear Lear's leaves letter live look lord master means mind nature never night offer omits once OSWALD pain pause performance perhaps play poor probably question Regan response scene seems sense servant Shakespeare silent sister speak speech spoken stage stands storm suffering suggests talk tears tell thee thing thou thoughts tion tries true turns voice whole