King LearApplause Books, 1996 - 220 sider (Applause Books). These popular editions allow the reader and student to look beyond the scholarly reading text to the more sensuous, more collaborative, more malleable performance text which emerges in conjunction with the commentary and notes. Each note, each gloss, each commentary reflects the stage life of the play with constant reference to the challenge of the text in performance. Readers will not only discover an enlivened Shakespeare, they will be empowered to rehearse and direct their own productions of the imagination in the process. |
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Side 51
... mind . . . to wreak the vengeance of its wild resentment in forms the most fantastic that a still powerful imagination can extemporize . Every line and syllable labours to be delivered , and the imper- that free play that is appropri ...
... mind . . . to wreak the vengeance of its wild resentment in forms the most fantastic that a still powerful imagination can extemporize . Every line and syllable labours to be delivered , and the imper- that free play that is appropri ...
Side 93
... mind lurches from one definition to another ( " my flesh , my blood , my daughter " ) ; then he rushes on to recognize this Goneril as a living part of him , a " disease " that he has to call his own . A horrible denunciation follows ...
... mind lurches from one definition to another ( " my flesh , my blood , my daughter " ) ; then he rushes on to recognize this Goneril as a living part of him , a " disease " that he has to call his own . A horrible denunciation follows ...
Side 147
... mind its own proper business Tear off and sever * essential / physical i.e. , be burnt his master and then in the more open criticism of " cowish terror " ; it culminates at lines 17-18 . This is quickly followed by an indication of ...
... mind its own proper business Tear off and sever * essential / physical i.e. , be burnt his master and then in the more open criticism of " cowish terror " ; it culminates at lines 17-18 . This is quickly followed by an indication of ...
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actor Alack Albany Albany's answer Anthony Hopkins arms attention audience Burgundy cester Charles Laughton Cordelia CORNWALL curse danger daughters David Garrick death disguise dost duke Duke of Cornwall echo Edgar Edmund Exeunt Exit eyes F omits father fear feeling fiend follow fool fool's fortune France GENTLEMAN give Glou Gloucester Gloucester's gods half-line hast hath hear heart heavens Henry Irving incomplete verse-line James Earl Jones John Gielgud Kent Kent's kill King Lear knave kneels Lear's leaves letter look lord madam master messenger mind night nuncle Old Vic OSWALD pain pause perhaps Peter Brook pity play poor Poor Tom Pray probably question reply scene servant sexual Shakespeare silent sister soliloquy speak speech spoken stage stands storm Stratford-upon-Avon suffering sword talk tears thee thine thou thoughts tion tragedy trumpet turns villain voice weep words