King LearApplause Books, 1996 - 220 sider (Applause Books). These popular editions allow the reader and student to look beyond the scholarly reading text to the more sensuous, more collaborative, more malleable performance text which emerges in conjunction with the commentary and notes. Each note, each gloss, each commentary reflects the stage life of the play with constant reference to the challenge of the text in performance. Readers will not only discover an enlivened Shakespeare, they will be empowered to rehearse and direct their own productions of the imagination in the process. |
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Side 7
... face or turn away from her sister to point up their rivalry ( later to destroy them both ) . Regan's lines 70-71 are complicated and refined , and they can sound like deep , careful and trustworthy thoughtfulness . Both sisters may ...
... face or turn away from her sister to point up their rivalry ( later to destroy them both ) . Regan's lines 70-71 are complicated and refined , and they can sound like deep , careful and trustworthy thoughtfulness . Both sisters may ...
Side 83
... face - to - face . 59-83 The fool ( or the gentleman ) is about to follow Lear , but is stopped in his tracks . ( Kent is , of course , still held in the stocks . ) As they wait , their questions try to probe what has happened , until ...
... face - to - face . 59-83 The fool ( or the gentleman ) is about to follow Lear , but is stopped in his tracks . ( Kent is , of course , still held in the stocks . ) As they wait , their questions try to probe what has happened , until ...
Side 195
... face has been a mask because he has already written the letter instructing their assassination . Now he calls a ... face to face ; the politeness of their words masks what they are thinking in such an obvious way that it deceives no one ...
... face has been a mask because he has already written the letter instructing their assassination . Now he calls a ... face to face ; the politeness of their words masks what they are thinking in such an obvious way that it deceives no one ...
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Almindelige termer og sætninger
action actor Albany answer appear arms asks attention audience authority become breaks bring character close comes Cordelia CORNWALL danger daughters death draw duke Edgar Edmund effect Enter Exit eyes face fall father fear feeling fiend follow fool fortune France further give Gloucester Gloucester's gods Goneril hand hath head hear heart hold immediately keep Kent kill king Lear Lear's leaves letter live look lord master means mind nature never night offer omits once OSWALD pain pause performance perhaps play poor probably question Regan response scene seems sense servant Shakespeare silent sister speak speech spoken stage stands storm suffering suggests talk tears tell thee thing thou thoughts tion tries true turns voice whole