King LearApplause Books, 1996 - 220 sider (Applause Books). These popular editions allow the reader and student to look beyond the scholarly reading text to the more sensuous, more collaborative, more malleable performance text which emerges in conjunction with the commentary and notes. Each note, each gloss, each commentary reflects the stage life of the play with constant reference to the challenge of the text in performance. Readers will not only discover an enlivened Shakespeare, they will be empowered to rehearse and direct their own productions of the imagination in the process. |
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Side 61
... death , so that his father kneels to him . 38-64 Edmund's invention thrives , and he embroid- ers his story with ... death- with an echo of Lear's pronouncement against Kent -but then recalls that " authority " is needed to do this ...
... death , so that his father kneels to him . 38-64 Edmund's invention thrives , and he embroid- ers his story with ... death- with an echo of Lear's pronouncement against Kent -but then recalls that " authority " is needed to do this ...
Side 175
... death ) proclaimed I'll ( spelt in country dialect , as is much of Edgar's talk to Oswald ) better cause 200-08 Edgar leaves his father's side to ask for news . The answer he receives ( II . 202-03 ) suggests that the sound of drums and ...
... death ) proclaimed I'll ( spelt in country dialect , as is much of Edgar's talk to Oswald ) better cause 200-08 Edgar leaves his father's side to ask for news . The answer he receives ( II . 202-03 ) suggests that the sound of drums and ...
Side 213
... deaths of Romeo , Othello , Hamlet , Macbeth or Coriolanus , without sui- cide and arrests , duel , battle or insurrection . But his death is protracted and so presented that the audi- ence's closest attention is drawn to each last ...
... deaths of Romeo , Othello , Hamlet , Macbeth or Coriolanus , without sui- cide and arrests , duel , battle or insurrection . But his death is protracted and so presented that the audi- ence's closest attention is drawn to each last ...
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Almindelige termer og sætninger
action actor Albany answer appear arms asks attention audience authority become breaks bring character close comes Cordelia CORNWALL danger daughters death draw duke Edgar Edmund effect Enter Exit eyes face fall father fear feeling fiend follow fool fortune France further give Gloucester Gloucester's gods Goneril hand hath head hear heart hold immediately keep Kent kill king Lear Lear's leaves letter live look lord master means mind nature never night offer omits once OSWALD pain pause performance perhaps play poor probably question Regan response scene seems sense servant Shakespeare silent sister speak speech spoken stage stands storm suffering suggests talk tears tell thee thing thou thoughts tion tries true turns voice whole