King LearApplause Books, 1996 - 220 sider (Applause Books). These popular editions allow the reader and student to look beyond the scholarly reading text to the more sensuous, more collaborative, more malleable performance text which emerges in conjunction with the commentary and notes. Each note, each gloss, each commentary reflects the stage life of the play with constant reference to the challenge of the text in performance. Readers will not only discover an enlivened Shakespeare, they will be empowered to rehearse and direct their own productions of the imagination in the process. |
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Side xvi
... close of the first act , [ and ] his phrenetic appeal to heaven at the end of the second on Regan's ingratitude , were two such enthusiastic scenes of human exertion , that they caused a kind of momentary petrifaction through the house ...
... close of the first act , [ and ] his phrenetic appeal to heaven at the end of the second on Regan's ingratitude , were two such enthusiastic scenes of human exertion , that they caused a kind of momentary petrifaction through the house ...
Side 153
... close - up , as Cordelia stood silently reading and holding herself in check . When Kent makes a very obvious comment ( I. 15 ) —is he " moved " to tears too ? -the gentleman still holds back from recounting Cordelia's passionate ...
... close - up , as Cordelia stood silently reading and holding herself in check . When Kent makes a very obvious comment ( I. 15 ) —is he " moved " to tears too ? -the gentleman still holds back from recounting Cordelia's passionate ...
Side 205
... close with a sense that all in its tangled web was for the best . When Edgar comes to his father's death , his speech is suffused with pity and tenderness . He stops before all has been told , as Edmund , himself deeply moved , can see ...
... close with a sense that all in its tangled web was for the best . When Edgar comes to his father's death , his speech is suffused with pity and tenderness . He stops before all has been told , as Edmund , himself deeply moved , can see ...
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Almindelige termer og sætninger
action actor Albany answer appear arms asks attention audience authority become breaks bring character close comes Cordelia CORNWALL danger daughters death draw duke Edgar Edmund effect Enter Exit eyes face fall father fear feeling fiend follow fool fortune France further give Gloucester Gloucester's gods Goneril hand hath head hear heart hold immediately keep Kent kill king Lear Lear's leaves letter live look lord master means mind nature never night offer omits once OSWALD pain pause performance perhaps play poor probably question Regan response scene seems sense servant Shakespeare silent sister speak speech spoken stage stands storm suffering suggests talk tears tell thee thing thou thoughts tion tries true turns voice whole