King LearApplause Books, 1996 - 220 sider (Applause Books). These popular editions allow the reader and student to look beyond the scholarly reading text to the more sensuous, more collaborative, more malleable performance text which emerges in conjunction with the commentary and notes. Each note, each gloss, each commentary reflects the stage life of the play with constant reference to the challenge of the text in performance. Readers will not only discover an enlivened Shakespeare, they will be empowered to rehearse and direct their own productions of the imagination in the process. |
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Side xx
... character has appeared in many guises : tough - minded , tender - hearted , fool - hardy , or quick - spirited . Ellen Terry ( 1847-1927 ) , Henry Irving's Cordelia , has commented : " Still waters run deep : " that sums up her character ...
... character has appeared in many guises : tough - minded , tender - hearted , fool - hardy , or quick - spirited . Ellen Terry ( 1847-1927 ) , Henry Irving's Cordelia , has commented : " Still waters run deep : " that sums up her character ...
Side 23
... character vigorous fools begot is successful plot baseborn / low surpass , be higher than limited personal expenses , pension on the spur of the moment 1-22 If Edmund enters as the sisters are leaving , his words may follow ( and ...
... character vigorous fools begot is successful plot baseborn / low surpass , be higher than limited personal expenses , pension on the spur of the moment 1-22 If Edmund enters as the sisters are leaving , his words may follow ( and ...
Side 71
... character and from his own deeper sense of responsibility . Cornwall's response ( 1. 63 ) is no longer derogatory ... character . Kent pauses slightly before replying in another character altogether ( II . 97-100 ) : is he trying to show ...
... character and from his own deeper sense of responsibility . Cornwall's response ( 1. 63 ) is no longer derogatory ... character . Kent pauses slightly before replying in another character altogether ( II . 97-100 ) : is he trying to show ...
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action actor Albany answer appear arms asks attention audience authority become breaks bring character close comes Cordelia CORNWALL danger daughters death draw duke Edgar Edmund effect Enter Exit eyes face fall father fear feeling fiend follow fool fortune France further give Gloucester Gloucester's gods Goneril hand hath head hear heart hold immediately keep Kent kill king Lear Lear's leaves letter live look lord master means mind nature never night offer omits once OSWALD pain pause performance perhaps play poor probably question Regan response scene seems sense servant Shakespeare silent sister speak speech spoken stage stands storm suffering suggests talk tears tell thee thing thou thoughts tion tries true turns voice whole