King LearApplause Books, 1996 - 220 sider (Applause Books). These popular editions allow the reader and student to look beyond the scholarly reading text to the more sensuous, more collaborative, more malleable performance text which emerges in conjunction with the commentary and notes. Each note, each gloss, each commentary reflects the stage life of the play with constant reference to the challenge of the text in performance. Readers will not only discover an enlivened Shakespeare, they will be empowered to rehearse and direct their own productions of the imagination in the process. |
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Side 43
... bring him on , close to Lear or Cordelia , in that opening scene so that such lines as this register with the fool here and at II.iv.60-61 , when the fool asks Lear for a response , it is the king who brings the fooling still closer to ...
... bring him on , close to Lear or Cordelia , in that opening scene so that such lines as this register with the fool here and at II.iv.60-61 , when the fool asks Lear for a response , it is the king who brings the fooling still closer to ...
Side 125
... bring to trial immediately judge wise gentleman i.e. , a fiend do you need a witness ( line from a ballad ; bourn = brook ) ( obscene joke ; see Tempest I.i.42-43 ) tell ( alluding to the fool's singing ) ( name of a fiend ) unsmoked ...
... bring to trial immediately judge wise gentleman i.e. , a fiend do you need a witness ( line from a ballad ; bourn = brook ) ( obscene joke ; see Tempest I.i.42-43 ) tell ( alluding to the fool's singing ) ( name of a fiend ) unsmoked ...
Side 203
... bring " and to " forgive " an enemy . Is it ironic or a sign of a last struggle to come to terms with his own bastardy , that he prefaces his forgiveness with " If thou'rt noble " ( I . 162 ) ? Edgar kneels at his side , accepting and ...
... bring " and to " forgive " an enemy . Is it ironic or a sign of a last struggle to come to terms with his own bastardy , that he prefaces his forgiveness with " If thou'rt noble " ( I . 162 ) ? Edgar kneels at his side , accepting and ...
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Almindelige termer og sætninger
actor Alack Albany Albany's answer Anthony Hopkins arms attention audience Burgundy cester Charles Laughton Cordelia CORNWALL curse danger daughters David Garrick death disguise dost duke Duke of Cornwall echo Edgar Edmund Exeunt Exit eyes F omits father fear feeling fiend follow fool fool's fortune France GENTLEMAN give Glou Gloucester Gloucester's gods half-line hast hath hear heart heavens Henry Irving incomplete verse-line James Earl Jones John Gielgud Kent Kent's kill King Lear knave kneels Lear's leaves letter look lord madam master messenger mind night nuncle Old Vic OSWALD pain pause perhaps Peter Brook pity play poor Poor Tom Pray probably question reply scene servant sexual Shakespeare silent sister soliloquy speak speech spoken stage stands storm Stratford-upon-Avon suffering sword talk tears thee thine thou thoughts tion tragedy trumpet turns villain voice weep words