King LearApplause Books, 1996 - 220 sider (Applause Books). These popular editions allow the reader and student to look beyond the scholarly reading text to the more sensuous, more collaborative, more malleable performance text which emerges in conjunction with the commentary and notes. Each note, each gloss, each commentary reflects the stage life of the play with constant reference to the challenge of the text in performance. Readers will not only discover an enlivened Shakespeare, they will be empowered to rehearse and direct their own productions of the imagination in the process. |
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Side 31
... audience while Edgar remains wholly convinced and serious . If Edgar shows obvious signs of anger , Edmund's solicitous call for forbearance and his offer of the protection of his own lodging may exacerbate the reaction . Short , sharp ...
... audience while Edgar remains wholly convinced and serious . If Edgar shows obvious signs of anger , Edmund's solicitous call for forbearance and his offer of the protection of his own lodging may exacerbate the reaction . Short , sharp ...
Side 59
... audience as to Edmund . Some rivalry has been implicit between Goneril and Regan , but if Curan's news is accurate ( the text again is silent ) , tension has grown to crisis very quickly . Both audience and Edmund will be more alert to ...
... audience as to Edmund . Some rivalry has been implicit between Goneril and Regan , but if Curan's news is accurate ( the text again is silent ) , tension has grown to crisis very quickly . Both audience and Edmund will be more alert to ...
Side 209
... audience . Often the entry is cut entirely , with the loss of a visual echo of the first scene of the play , and a further demonstra- tion of an inevitable ending . When Lear later brings Cordelia's body onstage , he should again be sur ...
... audience . Often the entry is cut entirely , with the loss of a visual echo of the first scene of the play , and a further demonstra- tion of an inevitable ending . When Lear later brings Cordelia's body onstage , he should again be sur ...
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actor Alack Albany Albany's answer Anthony Hopkins arms attention audience Burgundy cester Charles Laughton Cordelia CORNWALL curse danger daughters David Garrick death disguise dost duke Duke of Cornwall echo Edgar Edmund Exeunt Exit eyes F omits father fear feeling fiend follow fool fool's fortune France GENTLEMAN give Glou Gloucester Gloucester's gods half-line hast hath hear heart heavens Henry Irving incomplete verse-line James Earl Jones John Gielgud Kent Kent's kill King Lear knave kneels Lear's leaves letter look lord madam master messenger mind night nuncle Old Vic OSWALD pain pause perhaps Peter Brook pity play poor Poor Tom Pray probably question reply scene servant sexual Shakespeare silent sister soliloquy speak speech spoken stage stands storm Stratford-upon-Avon suffering sword talk tears thee thine thou thoughts tion tragedy trumpet turns villain voice weep words