King LearApplause Books, 1996 - 220 sider (Applause Books). These popular editions allow the reader and student to look beyond the scholarly reading text to the more sensuous, more collaborative, more malleable performance text which emerges in conjunction with the commentary and notes. Each note, each gloss, each commentary reflects the stage life of the play with constant reference to the challenge of the text in performance. Readers will not only discover an enlivened Shakespeare, they will be empowered to rehearse and direct their own productions of the imagination in the process. |
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Side 107
... attention and , as he draws nearer , is increasingly appalled by the " affliction " he is himself experiencing ; he may not get Lear's attention until line 59 . 47-58 Seeing Kent's fear , Lear forgets his vow of silence . Commandingly ...
... attention and , as he draws nearer , is increasingly appalled by the " affliction " he is himself experiencing ; he may not get Lear's attention until line 59 . 47-58 Seeing Kent's fear , Lear forgets his vow of silence . Commandingly ...
Side 131
... attention . After her terse " Hang him instantly ” ( I. 4 ) , Regan's silence is as remarkable as Edmund's ; her failure to respond at line 20 , in view of her later relationship to Edmund , suggests that she now pays close attention to ...
... attention . After her terse " Hang him instantly ” ( I. 4 ) , Regan's silence is as remarkable as Edmund's ; her failure to respond at line 20 , in view of her later relationship to Edmund , suggests that she now pays close attention to ...
Side 195
... attention to Edmund's order , but a harshness , and even a doubt , will enter his mind as he sees Cordelia's tears . 27-40 Silently , Edmund has watched Lear and Cor- delia ; probably his face has been a mask because he has already ...
... attention to Edmund's order , but a harshness , and even a doubt , will enter his mind as he sees Cordelia's tears . 27-40 Silently , Edmund has watched Lear and Cor- delia ; probably his face has been a mask because he has already ...
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actor Alack Albany Albany's answer Anthony Hopkins arms attention audience Burgundy cester Charles Laughton Cordelia CORNWALL curse danger daughters David Garrick death disguise dost duke Duke of Cornwall echo Edgar Edmund Exeunt Exit eyes F omits father fear feeling fiend follow fool fool's fortune France GENTLEMAN give Glou Gloucester Gloucester's gods half-line hast hath hear heart heavens Henry Irving incomplete verse-line James Earl Jones John Gielgud Kent Kent's kill King Lear knave kneels Lear's leaves letter look lord madam master messenger mind night nuncle Old Vic OSWALD pain pause perhaps Peter Brook pity play poor Poor Tom Pray probably question reply scene servant sexual Shakespeare silent sister soliloquy speak speech spoken stage stands storm Stratford-upon-Avon suffering sword talk tears thee thine thou thoughts tion tragedy trumpet turns villain voice weep words