King LearApplause Books, 1996 - 220 sider (Applause Books). These popular editions allow the reader and student to look beyond the scholarly reading text to the more sensuous, more collaborative, more malleable performance text which emerges in conjunction with the commentary and notes. Each note, each gloss, each commentary reflects the stage life of the play with constant reference to the challenge of the text in performance. Readers will not only discover an enlivened Shakespeare, they will be empowered to rehearse and direct their own productions of the imagination in the process. |
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Side 36
... Exit . LEAR What says the fellow there ? Call the clotpoll ° back . [ Exit a KNIGHT . ] Where's my Fool ? Ho ! I think the world's asleep . [ Reenter KNIGHT . ] How now ? Where's that mongrel ? KNIGHT He says , my lord , your daughter ...
... Exit . LEAR What says the fellow there ? Call the clotpoll ° back . [ Exit a KNIGHT . ] Where's my Fool ? Ho ! I think the world's asleep . [ Reenter KNIGHT . ] How now ? Where's that mongrel ? KNIGHT He says , my lord , your daughter ...
Side 52
... Exit . GONERIL Do you mark that ? ALBANY I cannot be so partial , Goneril , To the great love I bear you- GONERIL Pray you , content . What , Oswald , ho ! [ To the FOOL ] You sir , more knave than fool , after your master ! FOOL Nuncle ...
... Exit . GONERIL Do you mark that ? ALBANY I cannot be so partial , Goneril , To the great love I bear you- GONERIL Pray you , content . What , Oswald , ho ! [ To the FOOL ] You sir , more knave than fool , after your master ! FOOL Nuncle ...
Side 194
... Exit [ with CORDELIA , guarded ] . EDMUND Come hither , captain . Hark . Take thou this note : go follow them to prison . One step I have advanced ° thee ; if thou dost As this instructs thee , thou dost make thy way To noble fortunes ...
... Exit [ with CORDELIA , guarded ] . EDMUND Come hither , captain . Hark . Take thou this note : go follow them to prison . One step I have advanced ° thee ; if thou dost As this instructs thee , thou dost make thy way To noble fortunes ...
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action actor Albany answer appear arms asks attention audience authority become breaks bring character close comes Cordelia CORNWALL danger daughters death draw duke Edgar Edmund effect Enter Exit eyes face fall father fear feeling fiend follow fool fortune France further give Gloucester Gloucester's gods Goneril hand hath head hear heart hold immediately keep Kent kill king Lear Lear's leaves letter live look lord master means mind nature never night offer omits once OSWALD pain pause performance perhaps play poor probably question Regan response scene seems sense servant Shakespeare silent sister speak speech spoken stage stands storm suffering suggests talk tears tell thee thing thou thoughts tion tries true turns voice whole