King LearApplause Books, 1996 - 220 sider (Applause Books). These popular editions allow the reader and student to look beyond the scholarly reading text to the more sensuous, more collaborative, more malleable performance text which emerges in conjunction with the commentary and notes. Each note, each gloss, each commentary reflects the stage life of the play with constant reference to the challenge of the text in performance. Readers will not only discover an enlivened Shakespeare, they will be empowered to rehearse and direct their own productions of the imagination in the process. |
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Side 53
... Albany , Goneril changes : she is sarcastic and then speaks of danger . Either she tries to bully Albany into agreement , or uses self- justification to bolster her own courage . Her second call for Oswald ( 1. 302 ) is sharp ; it can ...
... Albany , Goneril changes : she is sarcastic and then speaks of danger . Either she tries to bully Albany into agreement , or uses self- justification to bolster her own courage . Her second call for Oswald ( 1. 302 ) is sharp ; it can ...
Side 150
William Shakespeare John Russell Brown. ALBANY What news ? MESSENGER O my good lord , the Duke of Cornwall's dead , Slain by his servant , going to put out The other eye of Gloucester . ALBANY Gloucester's eyes ! O MESSENGER A servant ...
William Shakespeare John Russell Brown. ALBANY What news ? MESSENGER O my good lord , the Duke of Cornwall's dead , Slain by his servant , going to put out The other eye of Gloucester . ALBANY Gloucester's eyes ! O MESSENGER A servant ...
Side 189
... Albany does here . Edgar's unexpected entry must therefore be played very strongly and persuasively , if this incident is to be plausible . Albany's earlier hesitations and the uncer- tain tone of lines 20-27 may prepare for his will ...
... Albany does here . Edgar's unexpected entry must therefore be played very strongly and persuasively , if this incident is to be plausible . Albany's earlier hesitations and the uncer- tain tone of lines 20-27 may prepare for his will ...
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Almindelige termer og sætninger
action actor Albany answer appear arms asks attention audience authority become breaks bring character close comes Cordelia CORNWALL danger daughters death draw duke Edgar Edmund effect Enter Exit eyes face fall father fear feeling fiend follow fool fortune France further give Gloucester Gloucester's gods Goneril hand hath head hear heart hold immediately keep Kent kill king Lear Lear's leaves letter live look lord master means mind nature never night offer omits once OSWALD pain pause performance perhaps play poor probably question Regan response scene seems sense servant Shakespeare silent sister speak speech spoken stage stands storm suffering suggests talk tears tell thee thing thou thoughts tion tries true turns voice whole