Laocoon: an essay on the limits of painting and poetry, tr. by E.C. BeasleyLongman, Brown, Green, and Longmans, 1853 |
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Side xiii
... feeling , who may be supposed to have been conscious that both produced a similar effect upon himself . He felt that through both what is absent seems as if it were present , and appearance takes the form of reality . He felt that both ...
... feeling , who may be supposed to have been conscious that both produced a similar effect upon himself . He felt that through both what is absent seems as if it were present , and appearance takes the form of reality . He felt that both ...
Side xiv
... feel sure that they did it with that moderation and ac- curacy , with which we now see , in the works of Aristotle , Cicero , Horace , and Quintilian , the prin- ciples and experience of painting applied to eloquence and poetry . It was ...
... feel sure that they did it with that moderation and ac- curacy , with which we now see , in the works of Aristotle , Cicero , Horace , and Quintilian , the prin- ciples and experience of painting applied to eloquence and poetry . It was ...
Side xv
... feel compelled to overlook the indis- tinctness and error which accompany it . This error and indistinctness did not , however , mislead the ancients . They confined the expression of Simonides to the effect of either art , and forgot ...
... feel compelled to overlook the indis- tinctness and error which accompany it . This error and indistinctness did not , however , mislead the ancients . They confined the expression of Simonides to the effect of either art , and forgot ...
Side 1
... , without viewing the face " and the other parts , believes that he almost feels a On the Imitation of Greek works in Painting and Sculpture , p . 21 , 22 . B 1 " the pain himself . This pain expresses itself with- LAOCOON. ...
... , without viewing the face " and the other parts , believes that he almost feels a On the Imitation of Greek works in Painting and Sculpture , p . 21 , 22 . B 1 " the pain himself . This pain expresses itself with- LAOCOON. ...
Side 2
... feel within himself that strength of spirit " which he would imprint upon his marble . Greece " had philosophers and artists in one person , and 66 more than one Metrodorus . Philosophy gave her " hand to art , and inspired its figures ...
... feel within himself that strength of spirit " which he would imprint upon his marble . Greece " had philosophers and artists in one person , and 66 more than one Metrodorus . Philosophy gave her " hand to art , and inspired its figures ...
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Laocoon: An Essay on the Limits of Painting and Poetry, Tr. by E.C. Beasley Gotthold Ephraim Lessing Ingen forhåndsvisning - 2015 |
Almindelige termer og sætninger
ઃઃ Achilles Æneas Æneid Æsop Agesander ancient artists Apelles appears Athenodorus attributes Bacchus beauty bestowed bodily pain body borrowed Cæsars called Caylus Chabrias CHAPTER contrary disgusting divine drapery effect executed expression eyes feel figure follow fury goddess gods Greek hand Harduin Helen Hercules hero History of Art Homer horrible Ialysus idea Iliad imagination imitation LAMURE Laocoon latter less Lysippus Mars master means ment mentioned merely nature Neoptolemus never Nicias NOTE object Olympiad once Ovid painter painting passage Pausanias Phidias Philoctetes picture piece pleasure Pliny poet poetical poetry Polydorus Polygnotus Polymetis produce Pythodorus quæ reason render representation represented Roman says sculptors sensations serpents shew shield shriek single Sophocles speaking Spence Statius statue suffering supposed taste Thersites tion traits ture ugliness Venus Vesta Virgil visible Vulcan whilst whole Winkelmann wish words δὲ ἐν καὶ μὲν τε τὸ
Populære passager
Side 154 - Thou, nature, art my goddess ; to thy law My services are bound : Wherefore should I Stand in the plague of custom ; and permit The curiosity of nations to deprive me, For that I am some twelve or fourteen moonshines Lag of a brother...
Side 155 - But I, that am not shaped for sportive tricks, Nor made to court an amorous looking-glass; I, that am rudely stamp'd, and want love's majesty To strut before a wanton ambling nymph...
Side 232 - Soft were my numbers ; who could take offence While pure Description held the place of sense?
Side 139 - Bianca nieve è il bel collo, e '1 petto latte; il collo è tondo, il petto colmo e largo: due pome acerbe, e pur d'avorio fatte, vengono e van come onda al primo margo, quando piacevole aura il mar combatte.
Side 51 - Bis medium amplexi, bis collo squamea circum Terga dati, superant capite et cervicibus altis.
Side 155 - Deform'd, unfinish'd, sent before my time Into this breathing world, scarce half made up, And that so lamely and unfashionable That dogs bark at me as I halt by them; Why, I, in this weak piping time of peace...
Side 154 - Lag of a brother? Why bastard? Wherefore base? When my dimensions are as well compact, My mind as generous, and my shape as true, As honest madam's issue? Why brand they us With base? With baseness? bastardy? base, base?
Side 208 - Sibila lambebant linguis vibrantibus ora. Diffugimus visu exsangues. Illi agmine certo Laocoonta petunt, et primum parva duorum Corpora natorum serpens amplexus uterque Implicat, et miseros morsu depascitur artus.
Side 132 - Tandem progreditur magna stipante caterva, Sidoniam picto chlamydem circumdata limbo. Cui pharetra ex auro, crines nodantur in aurum, aurea purpuream subnectit fibula vestem.
Side 129 - Sotto quel sta, quasi fra due vallette La bocca sparsa di natio cinabro; Quivi due filze son di perle elette, Che chiude ed apre un bello, e dolce labro: Quindi escon le cortesi parolette Da render molle ogni cor rozzo e scabro: Quivi si forma quel soave riso, Ch'apre a sua posta in terra il paradiso.