Specimens of the Lyrical, Descriptive, and Narrative Poets of Great Britain, from Chaucer to the Present Day:: With a Preliminary Sketch of the History of Early English Poetry, and Biographical and Critical Notices, |
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Side iv
Such books very generally fall into the hands of the young , with whom poetry is a
passion , but whose tastes are still either false or unripe . Instead of pampering
the insatiable appetite for novelty , and preferring fleeting fashion to permanent ...
Such books very generally fall into the hands of the young , with whom poetry is a
passion , but whose tastes are still either false or unripe . Instead of pampering
the insatiable appetite for novelty , and preferring fleeting fashion to permanent ...
Side vi
Among the poets thus passed over are Milton , Cowper , Young , Blair , Grahame
, Byron , & c . And other lives have been given here , which did not fall so directly
within the scope of the preceding work , as those of Surrey , Shakspeare ...
Among the poets thus passed over are Milton , Cowper , Young , Blair , Grahame
, Byron , & c . And other lives have been given here , which did not fall so directly
within the scope of the preceding work , as those of Surrey , Shakspeare ...
Side x
261 Wilmot EARL OF ROCHESTER . . . . 262 Upon Nothing . . . . . . . . John
Dryden . . . . . . . . Cymon and Iphigenia . . . . . . . . . . . . . . . . . . . ib . Translation from
Horace . . . . . 267 SIR CHARLES SEDLEY . . . . . . . . . 269 To a Devout Young
Lady .
261 Wilmot EARL OF ROCHESTER . . . . 262 Upon Nothing . . . . . . . . John
Dryden . . . . . . . . Cymon and Iphigenia . . . . . . . . . . . . . . . . . . . ib . Translation from
Horace . . . . . 267 SIR CHARLES SEDLEY . . . . . . . . . 269 To a Devout Young
Lady .
Side 27
Such , at the birth of Chaucer , were the best of the contemporary models which
existed either for the imitation or emulative ambition of the young poet . The art of
versification was in the rudest state ; the alliterative monotonous clink of the ...
Such , at the birth of Chaucer , were the best of the contemporary models which
existed either for the imitation or emulative ambition of the young poet . The art of
versification was in the rudest state ; the alliterative monotonous clink of the ...
Side 28
... in the Morning - Walk , in the COMPLAINT OF THE BLACK KNIGHT , and in the
more luxuriant description of the Young Beauty in the FLOWER AND LEAF ,
sitting in her secluded arbour in the springy freshness of the early summer
morning .
... in the Morning - Walk , in the COMPLAINT OF THE BLACK KNIGHT , and in the
more luxuriant description of the Young Beauty in the FLOWER AND LEAF ,
sitting in her secluded arbour in the springy freshness of the early summer
morning .
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admired appears arms beauty beneath BORN breath bright character court dead dear death deep delight died doth dreams early earth England English eyes face fair fall fear feel field flower genius gentle give gold gone grace grave green hand happy hath head hear heart heaven hills hope hour Italy kind King known Lady leaves light lived look Lord mind morn nature never night o'er once pass person play pleasure poem poet poetical poetry pride Queen rest rose round seen side sigh sing sleep soft song soon soul sound spirit stream sweet tears tell thee ther thine thing thou thought till verse wave wild wind writings young youth