The Critical Review, Or, Annals of Literature, Bind 47Tobias Smollett W. Simpkin and R. Marshall, 1779 Each number includes a classified "Monthly catalogue." |
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Side 10
... character , where every other ingredient perhaps is eminently poffeffed . ' Having made fome cogent and ftriking remarks concerning the connection and mutual relation between the Old and New Teftament , our author goes on to fpeak of ...
... character , where every other ingredient perhaps is eminently poffeffed . ' Having made fome cogent and ftriking remarks concerning the connection and mutual relation between the Old and New Teftament , our author goes on to fpeak of ...
Side 11
... character of our tranflation in the following strong and lively terms ; • It contained nothing , but what was pure in its representation of fcriptural doctrine ; nothing but what was animated in its expreffions of devout affection ...
... character of our tranflation in the following strong and lively terms ; • It contained nothing , but what was pure in its representation of fcriptural doctrine ; nothing but what was animated in its expreffions of devout affection ...
Side 12
... character of the facred poets . ' Having thus exhibited to view the advantages which have accrued to biblical learning fince the times of our tranflaters , we shall present our readers with our author's fentiments on the purposes , to ...
... character of the facred poets . ' Having thus exhibited to view the advantages which have accrued to biblical learning fince the times of our tranflaters , we shall present our readers with our author's fentiments on the purposes , to ...
Side 18
... character , it would have appeared to more advantage : the reader would have made a proper allowance for the flights and extravagance of the au- thor's imagination ; and might have been pleafed with fome of his defcriptions . But when ...
... character , it would have appeared to more advantage : the reader would have made a proper allowance for the flights and extravagance of the au- thor's imagination ; and might have been pleafed with fome of his defcriptions . But when ...
Side 24
... character , on which he feems principally to value himself , that he may not think we overlook him , he shall speak for himfelf : The author , fays he , declares himself at open war with custom ; excepting the cuf tom tom founded in ...
... character , on which he feems principally to value himself , that he may not think we overlook him , he shall speak for himfelf : The author , fays he , declares himself at open war with custom ; excepting the cuf tom tom founded in ...
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Almindelige termer og sætninger
admiral Keppel againſt alfo almoft alſo ancient anfwer appears becauſe cafe caufe cauſe character Chrift Chriftian church church of England circumftance Columella compofed confequence confiderable confidered confifts courfe courſe defcription defign defire difeafe eſtabliſhed expreffion faid fame fatirical fays fecond feems fenfe fent fentiments ferved feveral fhall fhew fhoots fhort fhould fide fince firft firſt fituation fmall fome fometimes foon fpirit ftate ftill ftyle fubject fucceeded fuch fuffer fufficient fuppofed fupport fyftem hiftorian hiftory himſelf honour houſe illuftrated inftance inftruction interefting Jefus juft king knowlege laft laws leaft learned lefs Longinus lord manner meaſure moft moſt muft muſt nature neceffary obferves occafion opinion paffage paffed perfon philofophers pleaſure poets prefent preferved Provençal publiſhed purpoſe racter readers reafon refpect remarks Scotland ſhall ſtate thefe themſelves theſe things thofe thor thoſe tranflation troubadours uſed whofe words writer
Populære passager
Side 95 - Therefore is the name of it called Babel ; because the Lord did there confound the language of all the earth : and from thence did the Lord scatter them abroad upon the face of all the earth.
Side 360 - From poetry the reader justly expects, and from good poetry always obtains, the enlargement of his comprehension and elevation of his fancy ; but this is rarely to be hoped by christians from metrical devotion.
Side 369 - And the fear of you and the dread of you shall be upon every beast of the earth, and upon every fowl of the air...
Side 358 - The good and evil of Eternity are too ponderous for the wings of wit; the mind sinks under them in passive helplessness, content with calm belief and humble adoration.
Side 356 - Milton's delight was to sport in the wide regions of possibility; reality was a scene too narrow for his mind. He sent his faculties out upon discovery into worlds where only imagination can travel, and delighted to form new modes of existence and furnish sentiment and action to superior beings, to trace the counsels of hell or accompany the choirs of heaven.
Side 358 - But these truths are too important to be new; they have been taught to our infancy; they have mingled with our solitary thoughts and familiar conversation, and are habitually interwoven with the whole texture of life. Being therefore not new, they raise no unaccustomed emotion in the mind ; what we knew before we cannot learn; what is not unexpected cannot surprise.
Side 359 - Contemplative piety, or the intercourse between God and the human soul, cannot be poetical. Man admitted to implore the mercy of" his Creator, and plead the merits of his Redeemer, is already in a higher state than poetry can confer.
Side 450 - Perhaps no nation ever produced a writer that enriched his language with such variety of models. To him we owe the improvement, perhaps the completion of our metre, the refinement of our language, and much of the correctness of our sentiments.
Side 359 - The essence of poetry is invention ; such invention as, by producing something unexpected, surprises and delights. The topics of devotion are few, and being few are universally known ; but, few as they are, they can be made no more ; they can receive no grace from novelty of sentiment, and very little from novelty of expression.
Side 359 - The subject of the disputation is not piety, but the motives to piety; that of the description is not God, but the works of God. Contemplative piety, or the intercourse between God and the human soul, cannot be poetical.