Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bind 18,Oplag 31996 |
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Side 25
... propaganda " represent another dead end in the Leni Riefenstahl critique . Film propaganda seems like a well historicized category , but in this cri- tique it often is not . The most astute reading of film propaganda , Steven Neale's ...
... propaganda " represent another dead end in the Leni Riefenstahl critique . Film propaganda seems like a well historicized category , but in this cri- tique it often is not . The most astute reading of film propaganda , Steven Neale's ...
Side 26
... propaganda , or both , Riefenstahl herself also embodies these terms in contradictory ways . If Triumph of the Will is art , then Riefenstahl is a great poet ; if it is propaganda , she is a contemptible propagandist . If her work is ...
... propaganda , or both , Riefenstahl herself also embodies these terms in contradictory ways . If Triumph of the Will is art , then Riefenstahl is a great poet ; if it is propaganda , she is a contemptible propagandist . If her work is ...
Side 34
... propaganda , " the central question in the Leni Riefenstahl critique , cannot address the poten- tial transformations of self that result from a proleptic response . We engage a necessarily and inescapably situated response that adheres ...
... propaganda , " the central question in the Leni Riefenstahl critique , cannot address the poten- tial transformations of self that result from a proleptic response . We engage a necessarily and inescapably situated response that adheres ...
Indhold
The Power of the Image | 20 |
The Preface of a Spouse | 45 |
Veza CanettiBetween Fact and Fiction | 56 |
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aesthetic African cinema African women Anne Mungai Antifascism Avengers Bashō become camp Carl Hanser Verlag computational construction contemporary context corporeal cultural death Diana Rigg discourse drama Duras Elias Canetti embodied Emma Emma Peel Emma's escape essay fantasies Faye female feminine feminism feminist filmmaker Finsterlicht's body function Geduld bringt Rosen Gelbe Straße gender genre German Gerontomat Göbel Grosz hetairae historical identity issues Kino International Leni Riefenstahl Leni Riefenstahl critique literary machine Maldoror male Maria masculine materiality matter Minh-ha Müller's Mungai Murner N'gor narrative Nazi networks Oger ogre oppression Peasant Letter performance physical political position proleptic propaganda prostitute pseudonym reading representation roles Runkel Safi Faye Saikati Sambizanga Schnerk sexual difference shame signifier social Sontag space Steed story struggle Susan Sontag television traditional Trans Triumph Venetiana Taubner-Calderon Venetiana/Veza Veza Canetti Veza Magd visual voice Western woman artist writes Yellow Street York Zeami