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Side 13
In the Slow House , Diller and Scofidio juxtapose this view ( as seen through the picture window ) with its electronic representation ( the same view as seen on TV ) and explore the gap between these two systems of representation .
In the Slow House , Diller and Scofidio juxtapose this view ( as seen through the picture window ) with its electronic representation ( the same view as seen on TV ) and explore the gap between these two systems of representation .
Side 95
operation of the stakes of her representation for his social posi- tion . Like the double logic of the fetish or misrecognition , the Sensationalist logic of the object as constitutive of the mechanics of the subject's gaze creates an ...
operation of the stakes of her representation for his social posi- tion . Like the double logic of the fetish or misrecognition , the Sensationalist logic of the object as constitutive of the mechanics of the subject's gaze creates an ...
Side 101
D ) Engaged to the Law The shock of Sensationalism does not arise from its breaking the Law of representation , but instead from its obsessive engage- ment with the legal operation itself and the stories of the work- aday operation of ...
D ) Engaged to the Law The shock of Sensationalism does not arise from its breaking the Law of representation , but instead from its obsessive engage- ment with the legal operation itself and the stories of the work- aday operation of ...
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Indhold
Thomas Andrae Berkeley Herbert Blau | 4 |
individuals | 25 |
tion Back issues of Discourse Nos 2 8 10 1 10 2 11 1 11 2 12 1 13 1 | 47 |
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Almindelige termer og sætninger
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