Discourse, Bind 13Indiana University Press, 1991 |
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Side 71
... Bruno's compartment : “ He didn't like the idea of its spending the night in Bruno's room , or of Bruno's touching it and open- ing it " ( 32 ) . Although Guy rejects Bruno's proposal unequivo- cally , Bruno ignores his protestations ...
... Bruno's compartment : “ He didn't like the idea of its spending the night in Bruno's room , or of Bruno's touching it and open- ing it " ( 32 ) . Although Guy rejects Bruno's proposal unequivo- cally , Bruno ignores his protestations ...
Side 74
... Bruno . In the context of his accidental meeting with Bruno , the " A " engraved on the lighter is ambiguous . It not only stands for Ann but also for Bruno ( whose last name in the film is Anthony ) . Thus the markings seem to suggest ...
... Bruno . In the context of his accidental meeting with Bruno , the " A " engraved on the lighter is ambiguous . It not only stands for Ann but also for Bruno ( whose last name in the film is Anthony ) . Thus the markings seem to suggest ...
Side 75
... Bruno's , thereby reducing him to Bruno's double . The crosscuts that link the two men in the film repeat formally the crisscross that links them in the plot . A shot of Bruno looking at his watch crosscuts to one of Guy looking at his ...
... Bruno's , thereby reducing him to Bruno's double . The crosscuts that link the two men in the film repeat formally the crisscross that links them in the plot . A shot of Bruno looking at his watch crosscuts to one of Guy looking at his ...
Indhold
Introduction | 3 |
A Dossier a Performance Piece a LittleUnderstood Emotion | 12 |
The Language of Expression on Natures Stage | 40 |
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advertising aesthetic American argues Baby Barthes become behavior body Bruno camera cinema communist contemporary context Crane's crisis critical critique crossdressing culture dance death desire discourse emotions essay Ethel example expression female feminine feminism feminist Freud gender Graham grief Hedda Gabler Herbert Blau heterosexual Hitchcock's film homosexual homosexuals and lesbians hysteria hysterical Ibsen identification identity ideology individual issues Julia Kristeva Kaja Silverman Kristeva language Laura Mulvey Les Samouraïs lesbians literary male Martha Graham Mary Ann Doane masculine Melancholia melodrama modern Modleski mother mourning narrative Oedipal patriarchal performance Petro play political position postmodern practice Primitive produce psychoanalysis question rape reading realism relation representation represents rhetorical Rosenberg Rosler Routledge scene semiotic sexual signifying social society spectator spectator's suggests television theater theatrical theoretical theory tion trans University of Wisconsin-Milwaukee Valie Export Vietnam visual woman women writing York