Discourse, Bind 13Indiana University Press, 1991 |
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Side 130
... speak ?, " " Who has been silenced ?, " " How to speak ?, " and so forth . These are questions of linguistics and narratology applied to issues of power . In one respect , such questions are based on the assump- tions of classical ...
... speak ?, " " Who has been silenced ?, " " How to speak ?, " and so forth . These are questions of linguistics and narratology applied to issues of power . In one respect , such questions are based on the assump- tions of classical ...
Side 159
... speak in the most comfortable language , we hoped for a multicultural exchange . " We're going to speak English , " we said . “ Bien , moi je parle français , " Kristeva agreed . " We want to try to get at some of the main concerns ...
... speak in the most comfortable language , we hoped for a multicultural exchange . " We're going to speak English , " we said . “ Bien , moi je parle français , " Kristeva agreed . " We want to try to get at some of the main concerns ...
Side 138
... speak for her " ( xxii ) . Though pro- duced by the notoriously " conservative " UFA as a commercial product , the film melodrama derived its appeal " from its attempt to speak to the promises and failures of sexual and 138 Discourse 13.2.
... speak for her " ( xxii ) . Though pro- duced by the notoriously " conservative " UFA as a commercial product , the film melodrama derived its appeal " from its attempt to speak to the promises and failures of sexual and 138 Discourse 13.2.
Indhold
Introduction | 3 |
A Dossier a Performance Piece a LittleUnderstood Emotion | 12 |
The Language of Expression on Natures Stage | 40 |
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advertising aesthetic American argues Baby Barthes become behavior body Bruno camera cinema communist contemporary context Crane's crisis critical critique crossdressing culture dance death desire discourse emotions essay Ethel example expression female feminine feminism feminist Freud gender Graham grief Hedda Gabler Herbert Blau heterosexual Hitchcock's film homosexual homosexuals and lesbians hysteria hysterical Ibsen identity ideology individual issues Julia Kristeva Kaja Silverman Kristeva language Laura Mulvey Les Samouraïs lesbians literary male Martha Graham Mary Ann Doane masculine Melancholia melodrama modern Modleski mother mourning narrative Oedipal patriarchal performance Petro play political position postmodern practice Primitive produce psychoanalysis question rape reading realism relation representation represents rhetorical Rosenberg Rosler Routledge scene semiotic sexual signifying social society spectator spectator's suggests television theater theatrical theoretical theory tion trans University of Wisconsin-Milwaukee Valie Export Vietnam visual woman women writing York