look from his balcony, the procession moved slowly on the road to Lahore.

Seldom had the eastern world seen a cavalcade so superb. From the gardens in the suburbs to the imperial palace, it was one unbroken line of splendor. The gallant appearance of the Rajas and Mogul lords, distinguished by those insignia of the Emperor's favor, the feathers of the egret of Cashmere in their turbans, and the small silver-rimmed kettle-drums at the bows of their saddles; the costly armor of their cavaliers, who vied, on this occasion, with the guards of the great Kedar Khan,2 in the

1"One mark of honor or knighthood bestowed by the Emperor is the permission to wear a small kettle-drum at the bows of their saddles, which at first was invented for the training of hawks, and to call them to the lure, and is worn in the field by all sportsmen to that end." — Fryer's Travels,

“Those on whom the King has conferred the privilege must wear an ornament of jewels on the right side of the turban, surrounded by a high plume of the feathers of a kind of egret. This bird is found only in Cashmere, and the feathers are carefully collected for the King, who bestows them on his nobles.” – Elphinstone's Account of Caubul.

2 Kedar Khan, etc. — “Kedar Khan, the Khahan, or King, of Turquestan beyond the Gihon (at the end of the eleventh century), whenever he appeared abroad was preceded by seven hundred horsemen with silver battle-axes, and was followed by an equal number bearing maces of gold. He was a great patron of poetry, and it was he who used to preside at public exercises of genius, with four basins of gold and silver by him to distribute among the poets who excelled," – Richardson's Dissertation, prefixed to his Dictionary.

brightness of their silver battle-axes and the massiness of their maces of gold ; -- the glittering of the gilt pine-apples 1 on the tops of the palankeens; the embroidered trappings of the elephants, bearing on their backs small turrets, in the shape of little antique temples, within which the ladies of Lalla Rookh lay, as it were, enshrined; — the rose-colored veils of the Princess's own sumptuous litter,2 at the front of which a fair young female slave sat fanning her through the curtains, with feathers of the Argus pheasant's wing; and the lovely troop of Tartarian and Cashmerian maids of honor, whom the young King had sent to accompany his bride, and who rode on each side of the litter, upon small Arabian horses; – all was brilliant, tasteful, and magnificent, and pleased even the critical and fastidious Fadla

1 The gilt pine-apples, etc. -" The kubdeh, a large golden

“ knob, generally in the shape of a pine-apple, on the top of the canopy over the litter or palanquin.” – Scott's Notes on the Bahardanush.

2 The rose-colored veils of the Princess's litter. - In the poem of Zohair, in the Moallakat, there is the following lively description of “ a company of maidens seated on camels :"

“They are mounted in carriages covered with costly awnings and with rose-colored veils, the linings of which have the hue of crimson Andemwood.

“When they ascend from the bosom of the vale, they sit forward on the saddle-cloths with every mark of a voluptuous gaiety.

“Now, when they have reached the brink of yon blue gushing rivulet, they fix the poles of their tents like the Arabs with a settled mansion."

deen, Great Nazir or Chamberlain of the Haram, who was borne in his palankeen, immediately after the Princess, and considered himself not the least important personage of the pageant.

Fadladeen was a judge of everything — from the pencilling of a Circassian's eyelids to the deepest questions of science and literature; from the mixture of a conserve of rose-leaves to the composition of an epic poem: and such influence had his opinion upon the various tastes of the day, that all the cooks and poets of Delhi stood in awe of him. His political conduct and opinions were founded upon that line of Sadi: -“Should the Prince at noonday say, It is night,' declare that you behold the moon and stars.” And his zeal for religion, of which Aurungzebe was a munificent protector," was about as dis

1 Religion, of which Aurungzebe was a munificent protector. — This hypocritical emperor would have made a worthy associate of certain Holy Leagues. "He held the cloak of religion," says Dow," between his actions and the vulgar; and impiously thanked the Divinity for a success which he owed to his own wickedness. When he was murdering and persecuting his brothers and their families, he was building a magnificent mosque at Delhi, as an offering to God for His assistance to him in the civil wars. He acted as high priest at the consecration of this temple; and made a practice of attending divine service there, in the humble dress of a fakeer. But when he lifted one hand to the Divinity, he with the other signed warrants for the assassination of his relations." — History of Hindostan, vol. iii., p. 235. See also the curious letter of Aurungzebe given in the Oriental Collections, vol. i., p. 320.

interested as that of the goldsmith who fell in love with the diamond eyes of the idol of Jaghernaut.1

During the first days of their journey, Lalla Rookh, who had passed all her life within the shadow of the royal Gardens of Delhi, found enough in the beauty of the scenery through which they passed to interest her mind and delight her imagination; and when, at evening or in the heat of the day, they turned off from the high road to those retired and romantic places which had been selected for her encampments - sometimes on the banks of a small rivulet, as clear as the waters of the Lake of Pearl ; 2 sometimes under the sacred shade of a banyan tree, from which the view opened upon a glade covered with antelopes; and often in those hidden, embowered spots, described by one from the Isles of the West 3 as “ places of melancholy, delight, and safety, where all the company around was wild peacocks and turtle doves;” — she felt a charm in these scenes, so lovely and so new to her, which for a time made her indifferent to every other amusement. But Lalla Rookh was young, and the

1 The diamond eyes of the idol, etc. — “The idol at Jaghernaut has two fine diamonds for eyes. No goldsmith is suffered to enter the pagoda; one having stolen one of these eyes, being locked up all night with the idol." — Tavernier.

2 Lake of Pearl. -"In the neighborhood is Notte Gill, or the Lake of Pearl, which receives this name from its pellucid water." - Pennant's Hindostan.

3 Described by one from the Isles of the West, etc. — Sir Thomas Roe, ambassador from James I. to Jehanguire.

young love variety; nor could the conversation of her Ladies and the Great Chamberlain Fadladeen (the only persons, of course, admitted to her pavilion), sufficiently enliven those many vacant hours, which were devoted neither to the pillow nor the palankeen. There was a little Persian slave who sung sweetly to the Vina, and who now and then lulled the Princess to sleep with the ancient ditties of her country, about the loves of Wamak and Ezra, the fair-haired Zal and his mistress Rodahver, not forgetting the combat of Rustam with the terrible White Demon.3 At other times she was amused by those graceful dancing girls of Delhi, who had

1 Loves of Wamak and Ezra. — “The Romance Wamakweazra, written in Persian verse, which contains the loves of Wamak and Ezra, two celebrated lovers who lived before the time of Mohammed.” — Note on the Oriental Tales.

2 Of the fair-haired Zal, and his mistress Rodahver, — There is much beauty in the passage which describes the slaves of Rodahver sitting on the bank of the river and throwing flowers into the stream in order to draw the attention of the young hero who is encamped on the opposite side. Vide Champion's Translation of the Shah Naméh of Ferdousi.

3 The combat of Rustam with the terrible White Demon. Rustam is the Hercules of the Persians. For the particulars of his victory over the Sepeed Deeve, or White Demon, see Oriental Collections, vol. ii., p. 45. Near the city of Shiraz is an immense quadrangular monument in commemoration of this combat, called the “ Kelaat-i-Deev Sepeed,” or castle of the White Giant, which Father Angelo, in his Gazophylacium Persicum, p. 127, declares to have been the most memorable monument of antiquity which he had seen in Persia. – Vide Ouseley's Persian Miscellanies.