Speaking ShakespeareSt. Martin's Publishing Group, 10. nov. 2015 - 368 sider In Speaking Shakespeare, Patsy Rodenburg tackles one of the most difficult acting jobs: speaking Shakespeare's words both as they were meant to be spoken and in an understandable and dramatic way. Rodenburg calls this "a simple manual to start the journey into the heart of Shakespeare," and that is what she gives us. With the same insight she displayed in The Actor Speaks, Rodenburg tackles the playing of all Shakespeare's characters. She uses dramatic resonance, breathing, and placement to show how an actor can bring Hamlet, Rosalind, Puck and other characters to life. This is one book every working actor must have. |
Fra bogen
Resultater 1-5 af 84
Side
... Onomatopoeia 78 Rhythm 84 Pauses and Irregularities of Rhythm 95 The Line Io; The Thought and the Structuring of Thoughts Io8 The Structure of Scenes 120 Antithesis 121 Rhyme 126 Prose 155 Irony 163 Puns I69 Language games 173 Repetition.
... Onomatopoeia 78 Rhythm 84 Pauses and Irregularities of Rhythm 95 The Line Io; The Thought and the Structuring of Thoughts Io8 The Structure of Scenes 120 Antithesis 121 Rhyme 126 Prose 155 Irony 163 Puns I69 Language games 173 Repetition.
Side 4
... thought contained within the verse. For actors who lack basic training such as this, any proper realisation of the plays is problematic – and this is ironic, for not only does Shakespeare write powerful and beautiful plays, but his ...
... thought contained within the verse. For actors who lack basic training such as this, any proper realisation of the plays is problematic – and this is ironic, for not only does Shakespeare write powerful and beautiful plays, but his ...
Side 5
... thoughts. They care about speaking and it is important for them to express ideas well. In acting them you will have to think and respond very rapidly ... thought. It fires through your mouth and is made real through Part 1 FOUNDATION CRAFT s.
... thoughts. They care about speaking and it is important for them to express ideas well. In acting them you will have to think and respond very rapidly ... thought. It fires through your mouth and is made real through Part 1 FOUNDATION CRAFT s.
Side 6
... thoughts and powerful emotions without suffocating yourself or the plays in the attempt to speak them. The ability to pursue long and structured thought patterns should appear effortless. You should feel that athletic thinking and ...
... thoughts and powerful emotions without suffocating yourself or the plays in the attempt to speak them. The ability to pursue long and structured thought patterns should appear effortless. You should feel that athletic thinking and ...
Side 8
... thought it was all to do with intention. 'No,' I replied. 'I might have the intention of being a pole vaulter. I might see myself flying over that pole – but I couldn't do it unless I'd worked certain muscles.' Intention may be the ...
... thought it was all to do with intention. 'No,' I replied. 'I might have the intention of being a pole vaulter. I might see myself flying over that pole – but I couldn't do it unless I'd worked certain muscles.' Intention may be the ...
Andre udgaver - Se alle
Almindelige termer og sætninger
actor alliteration Antony audience Autolycus beat begin Benedick Berowne blank verse body breath character character's Claudio connected death Demetrius Desdemona doesn’t Edgar Edmund emotional energy exercise eyes Falstaff father feel fool forward givens Gloucester Goneril Hamlet hath hear heart Heightened Circumstances Helena Hermia human husband Iago Iago's iambic iambic pentameter imagination irony Isabella journey Juliet King King Lear Lady Macbeth language Lear Leontes listen look Lysander meaning mouth move murder muscles Oberon Olivia onomatopoeia open vowels Othello pain passion pause Phoebe physical play Posthumus prose Puck push realise rehearsal release reveal rhyming couplet rhythm Richard Romeo Rosalind scene Second Circle sense Shakespeare Shylock Silvius soliloquy sound speak speech stay stop structure syllables tension thee There’s thou thought Titania tongue understand Viola vocal voice vowels walk wife Winter's Tale word