Speaking ShakespeareSt. Martin's Publishing Group, 10. nov. 2015 - 368 sider In Speaking Shakespeare, Patsy Rodenburg tackles one of the most difficult acting jobs: speaking Shakespeare's words both as they were meant to be spoken and in an understandable and dramatic way. Rodenburg calls this "a simple manual to start the journey into the heart of Shakespeare," and that is what she gives us. With the same insight she displayed in The Actor Speaks, Rodenburg tackles the playing of all Shakespeare's characters. She uses dramatic resonance, breathing, and placement to show how an actor can bring Hamlet, Rosalind, Puck and other characters to life. This is one book every working actor must have. |
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Resultater 1-5 af 90
Side
... Structure The Givens 69 The Word 72 Alliteration, Assonance, Onomatopoeia 78 Rhythm 84 Pauses and Irregularities of Rhythm 95 The Line Io; The Thought and the Structuring of Thoughts Io8 The Structure of Scenes 120 Antithesis 121 Rhyme ...
... Structure The Givens 69 The Word 72 Alliteration, Assonance, Onomatopoeia 78 Rhythm 84 Pauses and Irregularities of Rhythm 95 The Line Io; The Thought and the Structuring of Thoughts Io8 The Structure of Scenes 120 Antithesis 121 Rhyme ...
Side 4
... structure and sense. As they are spoken, they bring the world into being. They must be spoken before they can be acted. Speaking Shakespeare requires more than simply memorising texts. It needs a profound understanding of language and ...
... structure and sense. As they are spoken, they bring the world into being. They must be spoken before they can be acted. Speaking Shakespeare requires more than simply memorising texts. It needs a profound understanding of language and ...
Side 5
... Structure helps define and release specific emotions. Theatrical structure is physical and as you allow the different physical structures of any of Shakespeare's plays to enter you, you will find yourself changing and transforming. It's ...
... Structure helps define and release specific emotions. Theatrical structure is physical and as you allow the different physical structures of any of Shakespeare's plays to enter you, you will find yourself changing and transforming. It's ...
Side 11
... structure is built with equal care. This heightened state is the state Shakespeare is interested in. In Shakespeare, characters speak to survive. Perhaps the only bridge you have to cross in order to relate your own heightened awareness ...
... structure is built with equal care. This heightened state is the state Shakespeare is interested in. In Shakespeare, characters speak to survive. Perhaps the only bridge you have to cross in order to relate your own heightened awareness ...
Side 17
... structure urge you to move forward physically, emotionally and intellectually. You are speaking to engage, to solve and to confront. 'Cool' acting consequently kills the physical, emotional and intellectual spirit of Shakespeare. It ...
... structure urge you to move forward physically, emotionally and intellectually. You are speaking to engage, to solve and to confront. 'Cool' acting consequently kills the physical, emotional and intellectual spirit of Shakespeare. It ...
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Almindelige termer og sætninger
actor alliteration Antony audience Autolycus beat begin Benedick Berowne blank verse body breath character character's Claudio connected death Demetrius Desdemona doesn’t Edgar Edmund emotional energy exercise eyes Falstaff father feel fool forward givens Gloucester Goneril Hamlet hath hear heart Heightened Circumstances Helena Hermia human husband Iago Iago's iambic iambic pentameter imagination irony Isabella journey Juliet King King Lear Lady Macbeth language Lear Leontes listen look Lysander meaning mouth move murder muscles Oberon Olivia onomatopoeia open vowels Othello pain passion pause Phoebe physical play Posthumus prose Puck push realise rehearsal release reveal rhyming couplet rhythm Richard Romeo Rosalind scene Second Circle sense Shakespeare Shylock Silvius soliloquy sound speak speech stay stop structure syllables tension thee There’s thou thought Titania tongue understand Viola vocal voice vowels walk wife Winter's Tale word