Speaking ShakespeareSt. Martin's Publishing Group, 10. nov. 2015 - 368 sider In Speaking Shakespeare, Patsy Rodenburg tackles one of the most difficult acting jobs: speaking Shakespeare's words both as they were meant to be spoken and in an understandable and dramatic way. Rodenburg calls this "a simple manual to start the journey into the heart of Shakespeare," and that is what she gives us. With the same insight she displayed in The Actor Speaks, Rodenburg tackles the playing of all Shakespeare's characters. She uses dramatic resonance, breathing, and placement to show how an actor can bring Hamlet, Rosalind, Puck and other characters to life. This is one book every working actor must have. |
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Side
... realised that such knowledge might be necessary. Few of those actors had ever played Shakespeare as part of their training; and if they had, it seemed to have involved little or no discussion of the mechanics of Shakespeare's writing ...
... realised that such knowledge might be necessary. Few of those actors had ever played Shakespeare as part of their training; and if they had, it seemed to have involved little or no discussion of the mechanics of Shakespeare's writing ...
Side 3
... realise and release such physical and sensual texts. First year work on language sensitises the students to structure, rhythm, imagery and poetry. Language must be important to them — a powerful tool. This means they have to explore how ...
... realise and release such physical and sensual texts. First year work on language sensitises the students to structure, rhythm, imagery and poetry. Language must be important to them — a powerful tool. This means they have to explore how ...
Side 4
... realise them. The language must penetrate them, filling them with its power. The production and release of the word has to be so ingrained in their bodies, voices and imaginations that they can access the play, the character, the ...
... realise them. The language must penetrate them, filling them with its power. The production and release of the word has to be so ingrained in their bodies, voices and imaginations that they can access the play, the character, the ...
Side 12
... realise our connection to the reality Shakespeare explores. Here are some stories from today's paper, as I write. A congressman in Washington is questioned over his alleged affair with a missing intern: Angelo in Measure for Measure. A ...
... realise our connection to the reality Shakespeare explores. Here are some stories from today's paper, as I write. A congressman in Washington is questioned over his alleged affair with a missing intern: Angelo in Measure for Measure. A ...
Side 18
... realise how inefficient and unreal it is. It's hard to breathe and the tensions in the body lock the voice so it takes on a pushed quality. It is the sort of voice you can often hear in a theatre but not understand-all sound and fury ...
... realise how inefficient and unreal it is. It's hard to breathe and the tensions in the body lock the voice so it takes on a pushed quality. It is the sort of voice you can often hear in a theatre but not understand-all sound and fury ...
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Almindelige termer og sætninger
actor alliteration Antony audience Autolycus beat begin Benedick Berowne blank verse body breath character character's Claudio connected death Demetrius Desdemona doesn’t Edgar Edmund emotional energy exercise eyes Falstaff father feel fool forward givens Gloucester Goneril Hamlet hath hear heart Heightened Circumstances Helena Hermia human husband Iago Iago's iambic iambic pentameter imagination irony Isabella journey Juliet King King Lear Lady Macbeth language Lear Leontes listen look Lysander meaning mouth move murder muscles Oberon Olivia onomatopoeia open vowels Othello pain passion pause Phoebe physical play Posthumus prose Puck push realise rehearsal release reveal rhyming couplet rhythm Richard Romeo Rosalind scene Second Circle sense Shakespeare Shylock Silvius soliloquy sound speak speech stay stop structure syllables tension thee There’s thou thought Titania tongue understand Viola vocal voice vowels walk wife Winter's Tale word