Speaking ShakespeareSt. Martin's Publishing Group, 10. nov. 2015 - 368 sider In Speaking Shakespeare, Patsy Rodenburg tackles one of the most difficult acting jobs: speaking Shakespeare's words both as they were meant to be spoken and in an understandable and dramatic way. Rodenburg calls this "a simple manual to start the journey into the heart of Shakespeare," and that is what she gives us. With the same insight she displayed in The Actor Speaks, Rodenburg tackles the playing of all Shakespeare's characters. She uses dramatic resonance, breathing, and placement to show how an actor can bring Hamlet, Rosalind, Puck and other characters to life. This is one book every working actor must have. |
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... arising From sullen earth, sings hymns at heaven's gate: For thy sweet love remember'd such wealth brings That then I scorn to change my state with Kings.” Contents Acknowledgements ix Preface xi Part 1: Foundation Craft Foundation.
... arising From sullen earth, sings hymns at heaven's gate: For thy sweet love remember'd such wealth brings That then I scorn to change my state with Kings.” Contents Acknowledgements ix Preface xi Part 1: Foundation Craft Foundation.
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... King Lear 25o, 259 As You Like It 266 Much Ado About Nothing 273 The Merchant of Venice 279 Othello 2.85 Henry V 292 The Winter's Tale 297 Macbeth 3o4 Twelfth Night 314 A Midsummer Night's Dream 325 Antony and Cleopatra 329 Coriolanus ...
... King Lear 25o, 259 As You Like It 266 Much Ado About Nothing 273 The Merchant of Venice 279 Othello 2.85 Henry V 292 The Winter's Tale 297 Macbeth 3o4 Twelfth Night 314 A Midsummer Night's Dream 325 Antony and Cleopatra 329 Coriolanus ...
Side 23
... , Juliet starts to transform from a girl into a woman. As scene after scene develops, events are constantly raising the stakes in every way. In King Lear, Edgar in his first scene has what Part 1 FOUNDATION CRAFT 23 The State of Readiness.
... , Juliet starts to transform from a girl into a woman. As scene after scene develops, events are constantly raising the stakes in every way. In King Lear, Edgar in his first scene has what Part 1 FOUNDATION CRAFT 23 The State of Readiness.
Side 24
... king and nobles; needless diffidences, banishment of friends, dissipation of cohorts, nuptial breaches, and I know not what. Edgar: How long have you been a sectary astronomical? Edmund: Come, come! When saw you my father last? Edgar ...
... king and nobles; needless diffidences, banishment of friends, dissipation of cohorts, nuptial breaches, and I know not what. Edgar: How long have you been a sectary astronomical? Edmund: Come, come! When saw you my father last? Edgar ...
Side 47
Du har nået visningsgrænsen for denne bog.
Du har nået visningsgrænsen for denne bog.
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Almindelige termer og sætninger
actor alliteration Antony audience Autolycus beat begin Benedick Berowne blank verse body breath character character's Claudio connected death Demetrius Desdemona doesn’t Edgar Edmund emotional energy exercise eyes Falstaff father feel fool forward givens Gloucester Goneril Hamlet hath hear heart Heightened Circumstances Helena Hermia human husband Iago Iago's iambic iambic pentameter imagination irony Isabella journey Juliet King King Lear Lady Macbeth language Lear Leontes listen look Lysander meaning mouth move murder muscles Oberon Olivia onomatopoeia open vowels Othello pain passion pause Phoebe physical play Posthumus prose Puck push realise rehearsal release reveal rhyming couplet rhythm Richard Romeo Rosalind scene Second Circle sense Shakespeare Shylock Silvius soliloquy sound speak speech stay stop structure syllables tension thee There’s thou thought Titania tongue understand Viola vocal voice vowels walk wife Winter's Tale word