A Music of Grace: The Sacred in Contemporary American PoetryP. Lang, 1995 - 135 sider In our mid-to-late twentieth century secular society, a most pressing theological question is, Where does the dimension of the sacred reside? The question is posed here through the poetic worlds of James Wright, Anne Sexton, and Galway Kinnell, each a winner of the Pulitzer Prize. In the midst of collapsing values, these poets express a longing for a lost world of meaning. The author shows how each attempts to re-vision and re-language the sacred without resort to traditional piety. Lawrence's process poetics and Whitehead's process theology shed light on the question of the sacred and the poetic response. |
Fra bogen
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Side 68
... flow toward , and toward , and on which we flow and grow drowsy and become fearless again . It is the ability to hear the music of grace that enables the poet to transform his fear of death into a willingness to die - an acceptance of ...
... flow toward , and toward , and on which we flow and grow drowsy and become fearless again . It is the ability to hear the music of grace that enables the poet to transform his fear of death into a willingness to die - an acceptance of ...
Side 87
... flow toward , and toward / and on which we flow . " Kinnell , then , understands grace to be a vital force , an energy , a flowing music , which is incarnated in our very bodies , in our everyday lives . In fact , it is the music of all ...
... flow toward , and toward / and on which we flow . " Kinnell , then , understands grace to be a vital force , an energy , a flowing music , which is incarnated in our very bodies , in our everyday lives . In fact , it is the music of all ...
Side 117
... flow toward , and toward , and on which we flow and grow drowsy and become fearless again . 12 The poet " names the Holy , " but , in the United States in the twentieth century , the poet rarely uses the traditional language of " the ...
... flow toward , and toward , and on which we flow and grow drowsy and become fearless again . 12 The poet " names the Holy , " but , in the United States in the twentieth century , the poet rarely uses the traditional language of " the ...
Almindelige termer og sætninger
actual occasion Al Poulin American Anne Sexton appropriate reverence Auschwitz Awful Rowing becomes beginning Blessing Book of Nightmares collage creative creatures D. H. Lawrence despair dimension disillusionment elicits embrace feeling Galway Kinnell healing hear heart hit bottom holy ground Houghton Mifflin human Ibid incarnate inner nature instant interdependent James Wright Kinnell's language Lawrence's listening litany loneliness Lost My Sons Martins Ferry Mary Bly Matthew Fox modern mortal lives music of grace mystery Nathan Scott night occasion of experience oneself outer panentheism perfect perspective poet poet's poetic worlds poetry prayer of longing present Process and Reality process of assemblage process theology quick reality realized relationship Religion responsive intuition sacrament sacred reside self-restoring sense sheer appreciation sheer receptivity Sickness unto Death silence singing of mortal society spirit Things I Tell traditional University Press utterance vision voice water-lily Whitehead Whitman Wild Prayer words writes York