Art and Nature Under an Italian SkyT. Constable and Company, 1853 - 294 sider |
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Side
... OF VESUVIUS , 142 ROME , 151 THE VATICAN STATUARY BY TORCHLIGHT , . • 161 ST . PETER'S , THE PROTESTANT BURYING - GRound , 167 175 ST . JOHN LATERAN , · 181 PICTURE GALLERIES , 184 PAGE VESPERS , THE CATACOMBS , MUSEUM OF THE CAPITOL.
... OF VESUVIUS , 142 ROME , 151 THE VATICAN STATUARY BY TORCHLIGHT , . • 161 ST . PETER'S , THE PROTESTANT BURYING - GRound , 167 175 ST . JOHN LATERAN , · 181 PICTURE GALLERIES , 184 PAGE VESPERS , THE CATACOMBS , MUSEUM OF THE CAPITOL.
Side
... PICTURES AND FRESCOES , 218 VILLAS , 223 THE MISERERE , 228 INTERVIEW WITH THE POPE , 233 ILLUMINATION OF ST . PETER'S , 237 DEPARTURE FROM ROME , 242 FLORENCE , 253 VISIT TO FIESOLE , 260 LEAVING FLORENCE , 263 BOLOGNA , FERRARA , 267 ...
... PICTURES AND FRESCOES , 218 VILLAS , 223 THE MISERERE , 228 INTERVIEW WITH THE POPE , 233 ILLUMINATION OF ST . PETER'S , 237 DEPARTURE FROM ROME , 242 FLORENCE , 253 VISIT TO FIESOLE , 260 LEAVING FLORENCE , 263 BOLOGNA , FERRARA , 267 ...
Side 4
... picture is a figure in marble of the Virgin Mary , chosen and brought here by Rubens himself . There is a small oval picture by Vandyke , which I liked , but no other struck me . On leaving St. Jacques , we went to the Cathedral , of ...
... picture is a figure in marble of the Virgin Mary , chosen and brought here by Rubens himself . There is a small oval picture by Vandyke , which I liked , but no other struck me . On leaving St. Jacques , we went to the Cathedral , of ...
Side 5
... picture , the next object which rivetted my attention was the lovely face of the mother of Jesus . A mother's grief is imprinted upon that countenance , which is itself almost as pale as the lifeless form she beholds . But there is a ...
... picture , the next object which rivetted my attention was the lovely face of the mother of Jesus . A mother's grief is imprinted upon that countenance , which is itself almost as pale as the lifeless form she beholds . But there is a ...
Side 13
... was light , save the dark old ruin itself , and the rugged rock on which it stands . It was one of those exquisite pictures , with a combination of everything to make it perfect , one sometimes for a INTRODUCTION . 13.
... was light , save the dark old ruin itself , and the rugged rock on which it stands . It was one of those exquisite pictures , with a combination of everything to make it perfect , one sometimes for a INTRODUCTION . 13.
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Art and Nature Under an Italian Sky (Classic Reprint) Margaret Juliana Maria Dunbar Ingen forhåndsvisning - 2015 |
Almindelige termer og sætninger
admire amid arches ascent beautiful beneath blue Bracciano breath bright carriage castle cathedral chapel Church Colonna Palace colouring comfortable crater dark deep delicious distance Domenichino DUOMO OF MILAN effect entered exquisite feeling feet Ferdinando figures flowers gallery Genoa glowing graceful Guercino Herculaneum horses hour idea interest Italian Italy lake lava leaving light LONDON LIFE ASSURANCE look Lord loveliness lovely magnificent marble morning mountain Naples Narni noble once ornaments ourselves painting palaces passed peculiar Piazza San Marco picture picturesque pillars plain Pompeii Pozzuoli reached Rhine rich road rocks Rome round ruins scarcely scene seemed seen shew side soft Solfatara spot stands steps stone stood strange sweet Temple THOMAS CHALMERS THOMAS CONSTABLE thought Titian tomb towers town trees vast village walked walls whilst whole wild wind wonderful wood
Populære passager
Side 27 - Chillon! thy prison is a holy place, And thy sad floor an altar — for 'twas trod, Until his very steps have left a trace Worn, as if thy cold pavement were a sod, By Bonnivard ! — May none those marks efface ! For they appeal from tyranny to God.
Side 136 - As for man, his days are as grass; as a flower of the field, so he flourisheth : For the wind passeth over it, and it is gone ; and the place thereof shall know it no more.
Side 176 - And gray walls moulder round, on which dull Time Feeds, like slow fire upon a hoary brand ; And one keen pyramid with wedge sublime, Pavilioning the dust of him who planned This refuge for his memory, doth stand Like flame transformed to marble ; and beneath A field is spread, on which a newer band Have pitched in Heaven's smile their camp of death, Welcoming him we lose with scarce extinguished breath.
Side 34 - Above me are the Alps, The palaces of Nature, whose vast walls Have pinnacled in clouds their snowy scalps, And throned Eternity in icy halls Of cold sublimity, where forms and falls The avalanche — the thunderbolt of snow ! All that expands the spirit, yet appals, Gather around these summits, as to show How Earth may pierce to Heaven, yet leave vain man below.
Side 176 - And flowering weeds, and fragrant copses dress The bones of Desolation's nakedness, Pass, till the Spirit of the spot shall lead Thy footsteps to a slope of green access, Where, like an infant's smile, over the dead A light of laughing flowers along the grass is spread.
Side 248 - The voice of the Lord is upon the waters: the God of glory thundereth: the Lord is upon many waters.
Side 291 - There did he stand, erect, invincible, Though wan his cheeks, and wet with many tears, For in his prayers he had been weeping much; And now the pilgrims and the people wept With admiration, saying in their hearts, " Surely those aged limbs have need of rest!
Side 174 - God hath chosen the foolish things of the world to confound the wise, and the weak things of the world to confound the things which are mighty...
Side 218 - And when all beheld Him, where he lay, how changed from yesterday, Him in that hour cut off, and at his head His last great work ;