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" I'll have grounds More relative than this-the play's the thing Wherein I'll catch the conscience of the king (2.2: 501-58) vi. "
哈姆雷特 - Side 114
af Charles Lamb - 2002 - 175 sider
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Man's Changing Mask: Modes and Methods of Characterization in Fiction

Charles Child Walcutt - 1966 - 368 sider
...grotesque metaphor of a bonesetter, he ends Act II acknowledging that he has become a director: The play's the thing Wherein I'll catch the conscience of the King. [II, ii, 633-34] The scene that follows is controlled by the elements that have been developed. Play-acting,...
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The Columbia Granger's Dictionary of Poetry Quotations

Edith P. Hazen - 1992 - 1132 sider
...no, not tor a king Upon whose property and most dear life A damned defeat was made. (II, ii) 32 The NAWM-I 33 O, what a noble mind is here o'erthrown! The courtier's, soldier's, scholar's, eye, tongue,...
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Shakespeare the Playwright: A Companion to the Complete Tragedies, Histories ...

Victor L. Cahn - 1996 - 865 sider
...very potent with such spirits. Abuses me to damn me. I'll have grounds More relative than this — the play's the thing Wherein I'll catch the conscience of the King. (II, ii, 594-605) The delight with which Hamlet makes the pun on "relative" suggests his relief at the escape...
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Semiotics of Language, Literature, and Culture

Vennelaṇṭi Prakāśam - 1999 - 168 sider
...Out of my weakness and my melancholy, As he is very potent with such spirits, Abuses me to damn me. I'll have grounds More relative than this-the play's...thing Wherein I'll catch the conscience of the king (2.2: 501-58) vi. To be, or not to be, that is the questionWhether 'tis nobler in the mind to suffer...
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The Drama Classroom: Action, Reflection, Transformation

Philip Taylor - 2000 - 144 sider
...with them. The reasons for drama praxis are the insights to be made, the revelations to be had. The play's the thing / Wherein I'll catch the conscience of the king (II. ii)', states Hamlet, fully aware of the power of the dramatic artform to raise levels of consciousness. It...
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Literatuurwetenschap tussen betrokkenheid en distantie

Liesbeth Korthals Altes, Dick H. Schram - 2000 - 409 sider
...toetsen in het rijk der levenden. Het spel in het spel is het instrument dat hij hiervoor gebruikt: "The play's the thing / Wherein I'll catch the conscience of the King" (II. 2. 593) 'Theater zal de lasso heten / Waar ik een gooi mee 164 doe naar zijn geweten" (92). De tekst...
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The Plays of Shakespeare: A Thematic Guide

Victor L. Cahn - 2001 - 361 sider
...so outlandish with his interruptions and asides that he obliterates his earlier dictum: ". . . the play's the thing/ Wherein I'll catch the conscience of the King" (II, ii, 604-605). Instead, Hamlet overplays his part, disrupts the performance, and destroys his own standing...
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The Wheel of Fire: Interpretations of Shakespearian Tragedy

George Wilson Knight - 2001 - 393 sider
...wonders if such promptings as the Ghost's are indeed trustworthy. He wants to bring truth to light: The play's the thing Wherein I'll catch the conscience of the King! (ii. ii. 641) Let 'King' stand for government, for society, the world over and 'the play' for dramatic art,...
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莎士比亞四大悲劇

2004
...Polonius : [Aside] Though this be madness, yet there is method in't. (II, ii, 206) ($^^ , $^L^ , 206 If) Hamlet : I'll have grounds More relative than this-the...catch the conscience of the King. (II, ii, 603-5) -#. 603-5 If) i Hamlet Hamlet To be, or not to be, that is the question: Whether 'tis nobler in the...
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莎士比亞四大悲劇

2004
...: [Aside] Though this be madness, yet there is method in't. (II, ii, 206) Hamlet (g^^, ^^^, 206 If) I'll have grounds More relative than this-the play's...catch the conscience of the King. (II, ii, 603-5) — ^- ' 603-5 Hamlet : To be, or not to be, that is the question: Whether 'tis nobler in the mind...
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