The Yale Literary Magazine, Bind 116,Oplag 7Yale Literary Society, 1949 |
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Side 29
... style . Cummings is a dif- ficult writer to " place " ; he seems to have drawn liberally on many traditions rather ... styles . Most of the other poets of his rank , such as Frost or Ransom , not to mention the greater Eliot and Stevens ...
... style . Cummings is a dif- ficult writer to " place " ; he seems to have drawn liberally on many traditions rather ... styles . Most of the other poets of his rank , such as Frost or Ransom , not to mention the greater Eliot and Stevens ...
Side 30
... style are first - rate anyhow , I am content to leave the matter unresolved . It certainly strengthens the judgment that Cummings ' style , accurate and personal , is capable of little development . A final strong indication that this ...
... style are first - rate anyhow , I am content to leave the matter unresolved . It certainly strengthens the judgment that Cummings ' style , accurate and personal , is capable of little development . A final strong indication that this ...
Side 31
... style - bare British singers who made them . This is a grave disappointment , because Verdi's middle - period drama is hardly represented at all on records . The bass solo from the opera's Prologue has been several times recorded , but ...
... style - bare British singers who made them . This is a grave disappointment , because Verdi's middle - period drama is hardly represented at all on records . The bass solo from the opera's Prologue has been several times recorded , but ...
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artistic film asked aspect of Cummings attitude beautiful bowling Brother Gabriel Burton Calvin Thomas childish clouds Collected Poems color dark door Dory Dramat dream duenna E. E. Cummings Effie emotion eyes feeling felt Fox Hunt hand heard here's a little Hollywood Huguenot John Everett Millais John Freeman John Rawlings John Ruskin knew laughed Lennie Lennie's light little mouse looked madman Martha Marty meaning Medlar mild Millais mind Mireille Mireille's Miss Treadway mother mountain never night Oddie Oscar painted Pete Peterkin picture play poet POETRY OF E. E. porch Ramba recorded Richard Rothfuss Ronald Paulson Royal Academy Runaway Ruskin seems silence sleep smile softly stimulus stood style talk technique tell TERENCE HEYWOOD theatre things thought tion told twins uncon voice W. S. Hillman Walberton walking William wondered words Yale Literary Magazine